1.

Record Nr.

UNIPARTHENOPE000028069

Autore

Ferro, Massimo

Titolo

L'istruttoria prefallimentare : procedimento per la dichiarazione di fallimento / Massimo Ferro e Alfonso Di Carlo ; prefazione di Giovanni Lo Cascio ... [et al.] : un'indagine giuridico-aziendalistica nella prassi dei tribunali italiani

Pubbl/distr/stampa

Milanofiori, Assago : IPSOA, 2010

Titolo uniforme

L'istruttoria prefallimentare

ISBN

9788821732300

Descrizione fisica

XXX, 846 p. ; 24 cm

Collana

Insolvency / collana diretta da Massimo Ferro

Altri autori (Persone)

Di Carlo, Alfonso

Disciplina

346.45078

Collocazione

346-I/67

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

In testa al front.: OCI, Osservatorio sulle crisi di impresa; UNIPROF, consorzio



2.

Record Nr.

UNINA9910461828003321

Autore

Wesseling Elisabeth

Titolo

Writing history as a prophet [[electronic resource] ] : postmodernist innovations of the historical novel / / Elisabeth Wesseling

Pubbl/distr/stampa

Amsterdam ; ; Philadelphia, : J. Benjamins Pub. Co., 1991

ISBN

1-283-42448-7

9786613424488

90-272-7760-5

Descrizione fisica

1 online resource (228 p.)

Collana

Utrecht publications in general and comparative literature, , 0167-8175 ; ; v. 26

Disciplina

809.3/81

Soggetti

Historical fiction - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

WRITING HISTORY AS A PROPHET; Editorial page; Title page; Copyright page; Table of contents; Preface; I. Postmodernism and History; A Revival of Historical Fiction; The Corpus of Postmodernist Historical Fiction; The Delineation of Postmodernism; Postmodernism and Deconstruction; Linda Hutcheon's Poetics of Postmodernism; The Postmodern and the Utopian; Notes; II. Some Theoretical Deliberations About Genre; Genre as a Social Institution; Notes; III. The Classical Model of Historical Fiction; The Emergence of the Historical Novel; The Framing of the Waverley Novels

The Didactic Function of the Historical NovelImitation and Emulation; The Demise of Scott; Notes; IV. Modernist Experiments With the Historical Novel; A Twentieth-Century Perspective on Scott's Shallowness; Historicism Criticized; Historical Fiction and the Questioning of Objective Historical Knowledge; Modernist Innovations of the Historical Novel; The Subjectivization of History; The Transcendence of History; Sef-Reflexivity; Historical Fiction and the Detective Novel; Notes; V. Fiction Historical and Scientific; Science Fiction and the Utopian Mode

Utopian Historical Fiction and Nostalgic Science FictionTime-Travelling; Uchronian Fiction; The Parodic Nature of Counterfactual Conjecture;



The Political Implications of Uchronian Fiction; Modernist Self-Reflexivity Versus Postmodernist Counterfactual Parody; Notes; VI. Self-Reflexivity in Postmodernist Historical Fiction; The Conventionalization of Self-Reflexivity; Historiography in the Making; The Partiality of Historical Knowledge; The Unreliability of the Sources; Selectivity; Narrativity; Enclaves of Authenticity; History in the Making; Esthetic History; Political History

Toward Counterfactual ConjectureNotes; VII. Alternate Histories; Eclecticism; Negational Counterfactual Conjecture; Uchronian Fantasies; History Turned Upside Down; Counterfactual Shifts; Closure; Parody; Coda: ""Gravity's Rainbow; Notes; Conclusion; References; INDEX

Sommario/riassunto

This is a postmodernist history of the historical novel with special attention to the political implications of the postmodernist attitude toward the past.Beginning with the poetics of Sir Walter Scott, Wesseling moves via a global survey of 19th century historical fiction to modernist innovations in the genre.Noting how the self-reflexive strategy enables a novelist to represent an episode from the past alongside the process of gathering and formulating historical knowledge, the author discusses the elaboration of this strategy, introduced by novelists such as Virginia Woolf and W