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Record Nr. |
UNINA9910812741903321 |
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Autore |
Hille Christiane |
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Titolo |
Visions of the courtly body : the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court / / Christiane Hille |
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Pubbl/distr/stampa |
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Berlin : , : Akademie Verlag, , [2012] |
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©2012 |
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ISBN |
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Descrizione fisica |
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1 online resource (312 p.) |
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Disciplina |
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Soggetti |
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Masques, English - History and criticism |
Great Britain History James I, 1603-1625 |
Great Britain History Charles I, 1625-1649 |
Great Britain Court and courtiers History 17th century |
Great Britain Kings and rulers Portraits |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"This book was submitted as a PhD thesis to Humboldt-Universität Berlin in 2008." (page IX). |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Front Matter -- One: Spatial Representations of the Royal Body at Court: The Masques of James I -- Two: 'The Devil take all of you, Dance!': Bodily Distinction in the Jacobean Court Masque and Portrait -- Three: 'Antwerpian Rubens' best skill made him soare': The Duke of Buckingham and the Triumph of Painting at the Court of Charles I -- Back Matter |
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Sommario/riassunto |
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"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship." (cover - p. 4). |
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