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Record Nr. |
UNINA9910811679203321 |
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Autore |
Kozloff Sarah |
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Titolo |
Overhearing film dialogue / / Sarah Kozloff |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, c2000 |
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ISBN |
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0-520-92402-9 |
1-59734-792-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (336 p.) |
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Disciplina |
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Soggetti |
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Dialogue in motion pictures |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references (p. 297-310) and index. |
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Nota di contenuto |
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Preliminaries; Contents; Acknowledgments; Introduction; 1. The Functions of Dialogue in Narrative Film; 2. Structural and Stylistic Variables; 3. Integration; 4. Verbal Frontiers: Dialogue in Westerns; 5. Word Play: Dialogue in Screwball Comedies; 6. Words as Weapons: Dialogue in Gangster Films; 7. Misunderstandings: Dialogue in Melodramas; Conclusion; Notes; Select Filmography; Bibliography; Index |
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Sommario/riassunto |
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Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, ""When a motion picture is at its best, it is long on action and short on dialogue."" Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. |
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