1.

Record Nr.

UNINA9910811556403321

Autore

Woolmer Mark

Titolo

A short history of the Phoenicians / / Mark Woolmer

Pubbl/distr/stampa

London, England : , : I. B. Tauris, , 2019

London : , : Bloomsbury Publishing, , 2019

ISBN

1-350-98518-X

1-78673-217-3

1-78672-217-8

Edizione

[First edition.]

Descrizione fisica

1 online resource (234 pages) : illustrations, maps, photographs

Collana

I.B. Tauris short histories

Disciplina

939.4/4

Soggetti

Phoenicians - History

Phoenicia Civilization

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references (pages 211-226) and index.

Nota di contenuto

Introduction -- Historical overview -- Government and society -- Religion -- Art and material culture -- Overseas expansion -- Epilogue.

Sommario/riassunto

The Phoenicians present a tantalizing face to the ancient historian. Latin sources suggest they once had an extensive literature of history, law, philosophy and religion; but all now is lost. Offering new insights based on recent archaeological discoveries in their heartland of modern-day Lebanon, Mark Woolmer presents a fresh appraisal of this fascinating, yet elusive, Semitic people. Discussing material culture, language and alphabet, religion (including sacred prostitution of women and boys to the goddess Astarte), funerary custom and trade and expansion into the Punic west, he explores Phoenicia in all its paradoxical complexity. Viewed in antiquity as sage scribes and intrepid mariners who pushed back the boundaries of the known world, and as skilled engineers who built monumental harbour cities like Tyre and Sidon, the Phoenicians were also considered (especially by their rivals, the Romans) to be profiteers cruelly trading in human lives. The author shows them above all to have been masters of the sea: this was a civilization that circumnavigated Africa two thousand years before Vasco da Gama did it in 1498.



2.

Record Nr.

UNINA9910483331403321

Autore

Law Hoi Lun

Titolo

Ambiguity and Film Criticism : Reasonable Doubt / / by Hoi Lun Law

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021

ISBN

9783030629458

3030629457

Edizione

[1st ed. 2021.]

Descrizione fisica

1 online resource (190 pages) : illustrations

Collana

Palgrave Close Readings in Film and Television, , 2634-6141

Disciplina

821.1

791.43015

Soggetti

Motion pictures

Close Readings in Film and TV

Film Theory

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.

Sommario/riassunto

This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous



involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. .