|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910810998603321 |
|
|
Autore |
Redding Arthur F. <1964-> |
|
|
Titolo |
Turncoats, traitors, and fellow travelers [[electronic resource] ] : culture and politics of the early Cold War / / Arthur Redding |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Jackson, : University Press of Mississippi, c2008 |
|
|
|
|
|
|
|
ISBN |
|
1-282-48576-8 |
9786612485763 |
1-60473-326-8 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (196 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
American literature - 20th century - History and criticism |
Cold War in literature |
Politics in literature |
Politics and literature - United States - History - 20th century |
Cold War in motion pictures |
Politics in motion pictures |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. 167-175) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cultural fronts -- Closet, coup, and Cold War : F.O. Matthiessen's From the heart of Europe -- What's black and white and red all over? the Cold War and the geopolitics of race -- What it takes to be a man : masculinity, deviance, and sexuality -- The dreaded voyage into the world : nomadic ethics -- Frontier mythographies : savagery and civilization in John Ford. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
The Cold War was unique in the way films, books, television shows, colleges and universities, and practices of everyday life were enlisted to create American political consensus. This coercion fostered a seemingly hegemonic, nationally unified perspective devoted to spreading a capitalist, socially conservative notion of freedom throughout the world to fight Communism. In Turncoats, Traitors, and Fellow Travelers: Culture and Politics of the Early Cold War , Arthur Redding traces the historical contours of this manufactured consent by considering the ways in which authors, playwrights, and dir |
|
|
|
|
|
|
|