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1. |
Record Nr. |
UNINA9910455225303321 |
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Autore |
Culberson Linda Crawford <1953-> |
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Titolo |
Arrowheads and spear points in the prehistoric Southeast [[electronic resource] ] : a guide to understanding cultural artifacts / / by Linda Crawford Culberson ; illustrated by Jim Culberson |
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Pubbl/distr/stampa |
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Jackson, : University Press of Mississippi, c1993 |
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ISBN |
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1-282-48560-1 |
9786612485602 |
1-60473-485-X |
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Descrizione fisica |
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1 online resource (118 p.) |
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Disciplina |
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Soggetti |
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Arrowheads - Southern States |
Indians of North America - Implements - Southern States |
Indians of North America - Southern States - Antiquities |
Projectile points - Southern States |
Stone implements - Southern States |
Electronic books. |
Southern States Antiquities |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Illustrations; Preface; Acknowledgments; 1 Some Basic Principles of Archaeology; 2 The First Immigrants; 3 The Paleo-lndians; 4 The Archaic Stage; 5 The Woodland Stage; 6 The Mississippian Stage; Glossary; Appendixes; Bibliography; Index |
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Sommario/riassunto |
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The Native American tribes of what is now the Southeastern United States left intriguing relics of their ancient cultural life. Arrowheads, spearpoints, stone tools, and other artifacts are found in newly plowed fields, on hillsides after a fresh rain, or in washed-out creekbeds. These are tangible clues to the anthropology of the Paleo-Indians, and the highly developed Mississippian peoples. This indispensable guide to identifying and understanding such finds is for conscientious amateur archeologists who make their discoveries in surface terrain. Many are eager to understand the culture tha |
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2. |
Record Nr. |
UNINA9910810651403321 |
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Titolo |
All the world's a stage : theorizing and producing blended identities in a cybercultural world / / edited by Sabine Baumann and Monica Flegel |
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Pubbl/distr/stampa |
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Oxford, England : , : Inter-Disciplinary Press, , [2015] |
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©2015 |
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ISBN |
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Descrizione fisica |
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Collana |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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All the World’s a Stage: Theorizing and Producing Blended Identities in a Cybercultural World explores the extent to which cyber and “real” selves increasingly overlap, intersect, and entwine. As the quotation from Shakespeare indicates, the question of the roles we play in society and their relation to our self is not new; however, the rise of cyberculture has further complicated the relationship between our sense of self and our social roles, because it provides more opportunities to adopt new or changed identities. Some contributors to this volume welcome the complexities of the self that cyberculture has engendered, and explore changes in morality, community, and identity. Others acknowledge the negative effects of such performative identities, questioning what we lose by constructing ourselves so constantly in response to a virtual audience. Nevertheless, cyberculture is now “real” culture, and coming to terms with who we are online increasingly determines who we are altogether. |
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