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Record Nr. |
UNINA9910810267903321 |
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Autore |
Haiven Max <1981-> |
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Titolo |
Art after money, money after art : creative strategies against financialization / / Max Haiven |
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Pubbl/distr/stampa |
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London : , : Pluto Press, , 2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (305 pages) : illustrations |
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Disciplina |
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Soggetti |
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Art - Economic aspects |
Money in art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Introduction. Financialization and the imagination -- The best of enemies, the worst of friends -- Why bother? Activist questions -- Caveats toward abolition. |
Part one. Three point five artistic strategies to envision money's mediation. Crises of representation -- Money, abstraction and transformation -- The art of money, the financialization of art, and a half-strategy -- Strategy 1: revelation -- Strategy 2: reflexivity -- On mediation -- Strategy 3: rendering labor visible. |
Part two. Six artists x two crises x three orders of reproduction. Three theories of reproduction == Three artists, c.1973 -- Dawning financialization. |
Part three. Zero participation: benign pessimism, tactical parasitics and the encrypted common. You can't give it away like you used to -- Social practices -- Cruel optimism. |
Part four. Encryption: art's crypt, securitization in numbers, derivative socialities. The cryptic market -- A financialized society of control -- Freeport empire -- Palaces of encrypted culture -- A crypt within a crypt -- Popular unrest -- Derivative sociality -- Debtfair -- Epilogue: Beyond crypto. |
Conclusion. Toward abolitionist horizons. A abolitionist approach -- Another reproduction -- Beyond fascism. |
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Sommario/riassunto |
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Haiven uses money-art--the work of visual, performance and participatory artists who use money as medium or material for artistic |
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intervention or expression--to help tell a story or a suite of short stories, about the relationship between culture and the economy in a time when the line between the two is increasingly blurred. By exploring the way contemporary artists engage with cash, debt and credit, the author identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting and hacking capitalism today. --Adapted from publisher description. |
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