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Record Nr. |
UNINA9910810233203321 |
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Autore |
Magedera Ian H. |
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Titolo |
Outsider biographies : Savage, de Sade, Wainewright, Ned Kelly, Billy the Kid, Rimbaud and Genet: base crime and high art in biography and bio-fiction, 1744-2000 / / Ian H. Magedera |
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Pubbl/distr/stampa |
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Amsterdam, Netherlands ; ; New York : , : Rodopi, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (352 p.) |
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Collana |
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Textxet. Studies in Comparative Literature ; ; 75 |
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Disciplina |
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Soggetti |
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Biography as a literary form |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preliminary Material -- OUTSIDER BIOGRAPHY: DEFINITIONS AND CORPUS -- PARTIAL BIOGRAPHIES BY SAMUEL JOHNSON AND RICHARD HOLMES -- DE SADE ACCORDING TO SAINTE-BEUVE, APOLLINAIRE, LELY AND LEVER -- BARTHES’ AND PAUVERT’S QUESTIONING OF DE SADE BIOGRAPHY -- AN OUTLAW IN FICTIONAL BIOGRAPHY: ANDREW MOTION’S THOMAS GRIFFITHS WAINEWRIGHT 1794-1847 -- AN OUTLAW IN FICTIONAL BIOGRAPHY: PETER CAREY’S NED KELLY 1855-1880 -- AN OUTLAW IN FICTIONAL BIOGRAPHY: MICHAEL ONDAATJE’S BILLY THE KID 1859-1881 -- ‘FAMILY BIOGRAPHIES’ OF RIMBAUD, FOLLOWED BY SCEPTICISM AND ANTI-BIOGRAPHY -- ARTHUR RIMBAUD: STEINMETZ’S BIOGRAPHY AND MICHON’S BIOGRAPHICAL FICTION -- JEAN GENET: BIOGRAPHY AND SAINT GENET -- JEAN GENET: BIOGRAPHY AFTER SAINT GENET -- THE OUTSIDER’S SOLITUDE -- BIBLIOGRAPHY -- INDEX. |
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Sommario/riassunto |
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Concerning itself with biography and bio-fiction written in English and in French and also taking in American and Australian subjects, Outsider Biographies focuses on writers who have a criminal record and on notorious criminals who authors of bio-fiction consider as writers. It pursues an understanding of the formal effects of life-writers’ struggles between championing their subjects and a deep ambivalence towards their subjects’ crimes. The book analyses the challenge that these literary outsiders present to the mainstream French- and |
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English-language traditions where many biographers assign merit to productive lives well lived. The book’s approach illuminates both differences in those traditions from the mid-eighteenth, to the twenty-first century and a convergence between them, evident in the experimental-cum-fictional devices in recent English-language biography. Outsider Biographies advances wide-ranging new interpretations of the biographical writing on each of its seven subjects, but does so in a way that invites the reader picking up the book out of a passion for just one of those subjects, to follow the thread onto another and yet another. |
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