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Record Nr. |
UNINA9910810189803321 |
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Autore |
Klein Michael Leslie |
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Titolo |
Music and the crises of the modern subject / / Michael L. Klein |
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Pubbl/distr/stampa |
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Bloomington, Indiana ; ; Indianapolis, Indiana : , : Indiana University Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (206 p.) |
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Collana |
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Musical Meaning and Interpretation |
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Disciplina |
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Soggetti |
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Music - Psychological aspects |
Music - Philosophy and aesthetics |
Musical analysis |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Music and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C♯ minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular. |
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Sommario/riassunto |
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Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by ""the subject"" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film |
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