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Record Nr. |
UNINA9910810111203321 |
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Autore |
Bonansinga Kate |
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Titolo |
Curating at the edge : artists respond to the U.S./Mexico border / / Kate Bonansinga ; foreword by Lucy Lippard |
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Pubbl/distr/stampa |
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Austin : , : University of Texas Press, , 2014 |
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ISBN |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (296 p.) |
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Collana |
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William & Bettye Nowlin series in art, history, and culture of the Western Hemisphere |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Artists and museums - Mexican-American Border Region |
Art museum curators - Mexican-American Border Region |
Art museums and community - Mexican-American Border Region |
Art and society - Mexican-American Border Region - History - 21st century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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""Contents ""; ""Foreword: Curating on the Cutting Edge by Lucy R. Lippard""; ""Introduction: Texas, Mexico, Bhutan, and the Origins of the Rubin""; ""1. Alejandro Almanza Pereda: Just Give Me a Place to Stand, 2004""; ""2. Marcos Ramírez ERRE: To Whom It May Concern, War Notes, 2005 ""; ""3. SIMPARCH: Hydromancy, 2007""; ""4. Adrian Esparza: Unknitting: Challenging Textile Traditions, 2008""; ""5. Nicola Lopez, Noah MacDonald, Julio César Morales, Leo Villareal, and Vargas Suarez UNIVERSAL: Claiming Space: Mexican Americans in U.S. Cities 2008""; ""6. Liz Cohen: No Room for Bagg age, 2008"" |
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Sommario/riassunto |
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Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin’s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of “border art” or Chicano art. Instead, Bonansinga captures the creative climate of 2004–2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin’s location in the Chihuahuan |
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desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists’ working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences. |
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