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Record Nr. |
UNINA9910809978003321 |
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Autore |
Harding James Martin <1958-> |
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Titolo |
Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding |
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Pubbl/distr/stampa |
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Ann Arbor, : University of Michigan Press, 2012 |
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ISBN |
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1-280-88049-X |
9786613721808 |
0-472-02900-2 |
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Edizione |
[1st pbk. ed.] |
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Descrizione fisica |
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1 online resource (235 p.) |
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Collana |
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Theater--theory/text/performance |
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Disciplina |
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Soggetti |
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Experimental theater |
Feminist theater |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community. |
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Sommario/riassunto |
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Sheds light on the critical role that women artists have played in the evolution of the American avant-garde. |
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