1.

Record Nr.

UNINA9910809691703321

Autore

Connon Daisy

Titolo

Subjects not-at-home [[electronic resource] ] : forms of the uncanny in the contemporary French novel : Emmanuel Carrère, Marie NDiaye, Eugène Savitzkaya / / Daisy Connon

Pubbl/distr/stampa

Amsterdam, : Editions Rodopi, 2010

ISBN

1-282-72705-2

9786612727054

90-420-3006-2

Descrizione fisica

1 online resource (291 p.)

Collana

Faux titre ; ; 347

Disciplina

843.91409

Soggetti

Uncanny, The (Psychoanalysis)

French literature - Criticism, Textual

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Preliminary Material -- List of Abbreviations -- Introduction -- Das Unheimliche -- Extra-ordinary Homes -- De-familiarization -- A Narrative Ethics of the Unhomely -- General Conclusion -- Bibliography.

Sommario/riassunto

Subjects Not-at-home is the first book-length study of the concept of the uncanny ( Das Unheimliche ) in the context of French literature. It explores the ways in which certain contemporary French novelists are exploiting the themes, imagery and dynamics of the uncanny to generate a repertoire of narrative tactics for the portrayal of the chez soi . Through an analysis of nine novels by Marie NDiaye, Eugène Savitzkaya and Emmanuel Carrère, the author reveals a developing tendency within current writing to re-appropriate figures of the strange – the double, intellectual uncertainty, the fragmented body, the spectral, the haunted house – in order to represent the ‘familiar’ spaces of the home, the family, the self and the everyday. This problematic is situated with respect to tendencies in present-day French writing, with the uncanny being viewed as a particular approach to the contemporary novel’s inclination to privilege the site of the chez soi . Readings of the literary texts are informed by philosophical, psychoanalytic and literary



reinterpretations of the Freudian uncanny, with an emphasis on the historical and contextual evolution of the concept itself.