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Record Nr. |
UNINA9910809569803321 |
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Autore |
Pacini Hernandez Deborah |
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Titolo |
Oye como va! [[electronic resource] ] : hybridity and identity in Latino popular music / / Deborah Pacini Hernandez |
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Pubbl/distr/stampa |
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Philadelphia, : Temple University Press, c2010 |
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ISBN |
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1-282-50591-2 |
9786612505911 |
1-4399-0091-4 |
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Descrizione fisica |
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1 online resource (238 p.) |
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Disciplina |
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Soggetti |
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Hispanic Americans - Social aspects |
Popular music - Social aspects - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Preface; 1 Introduction: Hybridity, Identity, and Latino Popular Music; 2 Historical Perspectives on Latinos and the Latin Music Industry; 3 To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock 'n' Roll; 4 Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries; 5 New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music; 6 From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje; 7 Marketing Latinidad in a Global Era; Notes; Selected Bibliography; Index |
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Sommario/riassunto |
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Listen Up! When the New York-born Tito Puente composed ""Oye Como Va!"" in the 1960's, his popular song was called ""Latin"" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente's tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what ""Latin"" music is or ought to be. Waves of immigrants... |
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