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1. |
Record Nr. |
UNINA9910811109903321 |
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Autore |
Olimat Muhamad S. |
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Titolo |
China and Central Asia in the post-Soviet era : a bilateral approach / / Muhamad S. Olimat |
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Pubbl/distr/stampa |
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Lanham, Maryland : , : Lexington Books, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (255 p.) |
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Disciplina |
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Soggetti |
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China Foreign relations Asia, Central |
China Foreign relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Sommario/riassunto |
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This comprehensive work addresses China's increasing reliance on Central Asian energy resources and its pivoting in, and the United States' pivoting out of Central Asia. It examines Sino-Central Asian relations on a five-dimensional approach: political relations, trade ties, cultural relations, security coordination, and energy cooperation. |
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2. |
Record Nr. |
UNINA9910809234803321 |
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Autore |
Brodskaya Nathalia |
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Titolo |
Auguste Renoir / / Nathalia Brodskaya |
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Pubbl/distr/stampa |
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New York : , : Parkstone Press International, , [2013] |
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ISBN |
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Descrizione fisica |
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1 online resource (145 p.) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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List of illustrations; 1. Self-Portrait, ca. 1875.; 2. Jules Le Cœur Walking in the Fontainebleau Forest with his Dogs, 1866.; 3. La Grenouillère, 1869.; 4. At the Inn of Mother Anthony, 1866.; 5. Alfred Sisley and his Wife, 1868.; 6. Lisa (Woman with a Parasol), 1867.; 7. Odalisque (Woman of Alger), 1870.; 8. Interior of a Harem in Montmartre (Parisian Women Dressed in Algerian costumes), 1872.; 9. Bather with a Griffon.; 10. The Algerian (Madame Clémentine Stora in an Algerian costume), 1870.; 11. Diane the Huntress, 1867.; 12. The Promenade, 1870. |
13. Half-naked Woman Lying Down: the Rose, ca. 1872.14. Riders in the Bois de Boulogne, (Madame Henriette Darras), 1873.; 15. The Parisienne (Henriette Heriot), 1874.; 16. The Box, 1874.; 17. Nude in the Sun, 1875.; 18. The Lovers, ca. 1875.; 19. Garden in the Rue Cortot, Montmartre, 1876.; 20. In the Garden, "La Tonnelle".; 21. The Swing, 1876.; 22. The Ball at the Moulin de la Galette, 1876.; 23. Lady in Black, ca. 1876.; 24. The Reading of the Part, 1874-1876.; 25. Young Woman Sewing, ca. 1879.; 26. The Thought, ca. 1876-1877.; 27. Woman with Cat, ca. 1875,; 28. The Nude, 1876. |
29. The First Outing, ca. 1876.30. The First Step, 1876.; 31. Jeanne Samary, 1877.; 32. Portrait of the actress Jeanne Samary, 1878,; 33. The Exit of the Conservatory, 1877.; 34. La Place Clichy, ca. 1880,; 35. Young Girl with a Cat, 1880.; 36. The Lunch of the Boaters, 1880-1881.; 37. Blond Bather, 1881.; 38. The Umbrellas (After the Rainfall), ca. 1881-1885.; 39. Miss Marie-Thérèse Durand-Ruel Sewing, 1882.; 40. A Woman's Bust, Yellow Corsage, ca. 1883.; 41. La Coiffeuse (Bather Arranging her Hair), 1885.; 42. Maternity - The Child Breastfed |
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(Aline and Pierre), Third version, 1886. |
43. The Braid (Suzanne Valadon), 1884-1886.44. The Great Bathers, 1887.; 45. Young Woman Bathing, 1888.; 46. Young Girl with Daisies, 1889.; 47. Young Girls at the Piano, 1892.; 48. Yvonne and Chistine Lerolle at the Piano, 1897.; 49. Young Woman Playing the Guitar, 1896-1897.; 50. The Sleeper, 1897.; 51. Portrait of Miss Misia Edwards (Misia Sert), 1907.; 52. Gabrielle with Jewels, ca. 1910.; 53. Gabrielle with the Rose, 1911.; 54. Nude on Cushions, 1907.; 55. The Bather, ca. 1909.; 56. The Bather Wiping her Leg, ca. 1910.; 57. After the Bath, 1912.; 58. The Judgment of Pâris, 1914. |
59. The Bathers, 1918-1919.Notes |
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Sommario/riassunto |
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Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy's parents took him from school and found a place for him in the Lévy brothers' workshop, where he was to learn to paint porcelain. Renoir's younger brother Edmond had this to say this about the move: "From what he drew in charcoal on the walls, they concluded that he had the ability for an artist's profession. That was how our parents came to put him to learn the trade of porcelain painter." One of the Lévys' workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases an |
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