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Record Nr. |
UNINA9910809211803321 |
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Autore |
Trinh T. Minh-Ha (Thi Minh-Ha), <1952-> |
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Titolo |
The digital film event / / Trinh T. Minh-ha |
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Pubbl/distr/stampa |
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New York, : Routledge, 2005 |
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ISBN |
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1-136-08994-2 |
0-203-03607-7 |
1-283-83875-3 |
1-136-08986-1 |
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Descrizione fisica |
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1 online resource (239 p.) |
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Disciplina |
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302.231 |
791.43/0233/092 |
791.430233092 |
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Soggetti |
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Digital cinematography |
Motion pictures - Philosophy |
Technology - Psychological aspects |
Technology - Social aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes filmography: p. [ix]. |
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Nota di contenuto |
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Cover; THE DIGITAL FILM EVENT; Copyright; CONTENTS; ACKNOWLEDGMENTS; ILLUSTRATIONS, FILMOGRAPHY AND DISTRIBUTION; PART I TECHNOLOGY'S RITUALS; STILL SPEED; TIMESURFING; THE CYBORG'S HAND: CARE OR CONTROL?; WHEN THE EYE FRAMES RED; TIME PATHS; PART II THE FOURTH DIMENSION; FILMSCRIPT; PART III JAPAN: Alterity and the Image Effect; "WHY THE FORM COUNTS": OF HOST AND GUEST; INAPPROPRIATE/D ARTIFICIALITY; TRAVELING (IN) TIME; THE DOOR OF RHYTHM; IS FEMINISM DEAD?; PART IV INSTALLATIONS; NOTHING BUT WAYS: Installation; THE PAGE SCREEN CANVAS |
SECESSION EXHIBITION: VIENNA, AUSTRIA, MARCH 8-APRIL 22, 2001BETWEEN TWO; THE DESERT IS WATCHING |
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Sommario/riassunto |
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Endless travel in cyberspace, virtual reality, and the dream of limitless speed: technology changes our sense of self. In her new book, Trinh Minh-ha explores the way technology transforms our perception of |
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reality. ""We are all engaged in social rituals in our daily activities, she writes, ""and by remaining unaware of their artistic ritual propensity, we remain 'in conformity'."" Her goal, as a thinker and an artist, is to transform our understanding of technology and speed so that we are able to ""turn an instrument into a creative tool and to step out of the one-dimensional, techn |
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