1.

Record Nr.

UNINA9910808793003321

Titolo

Art and theory after socialism / / edited by Mel Jordan and Malcolm Miles ; editorial assistant, Karen Roulstone

Pubbl/distr/stampa

Bristol, UK ; ; Chicago, : Intellect, 2008

ISBN

1-282-03513-4

1-282-03512-6

9786612035135

1-84150-265-0

Edizione

[1st ed.]

Descrizione fisica

1 online resource (130 p.)

Collana

Changing Media, Changing Europe

Altri autori (Persone)

JordanMelanie

MilesMalcolm <1950->

Disciplina

306.2

Soggetti

Postmodernism - Political aspects

Socialism and art

Art - Political aspects

Art - Philosophy

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Front Matter; Preliminary Pages; Contents; Introduction; Chapter 1 From Shamed to Famed - The Transition of a Former Eastern German Arts Academy to the Talent Hotbed of a Contemporary Painters' School. The Hochschule für Grafik und Buchkunst; Chapter 2 Attacking Objectification: Jerzy Bere&sacute;  in Dialogue with Marcel Duchamp; Chapter 3 On the Ruins of a Utopia: Armenian Avant-Garde and the Group Act; Chapter 4 Art Communities, Public Spaces and Collective Actions in ArmenianContemporary Art; Chapter 5 Appropriating the Ex-Cold War

Chapter 6 The End of an Idea: On Art, Horizons and the Post-Socialist ConditionChapter 7 Exploring Critical and Political Art in the United Kingdom and Serbia; Chapter 8 Other Landscapes (for Weimar, Goethe and Schiller); Chapter 9 The Ecology of Post-Socialism and the Implications of Sustainability for Contemporary Art; Chapter 10 Functions, Functionalism and Functionlessness: On the Social Function of Public Art after Modernism; Back Matter



Sommario/riassunto

Contemporary visual culture, art, theory and criticism shifted after the end of the Cold War, so that cultural production in both the East and the West underwent radical new challenges. Art and Theory After Socialism considers the new critical insights that are produced in the collisions of art theory from the ex-East and ex-West. The collected essays assert that dreams promised by consumerism and capitalism have not been delivered in the East, and that the West is not a zone of liberation, increasingly drawn into global conflict as well as media presentation of a high-risk society. Academics,