1.

Record Nr.

UNINA9910808701703321

Autore

Gaarden Bonnie <1953->

Titolo

The Christian goddess : archetype and theology in the fantasies of George MacDonald / / Bonnie Gaarden

Pubbl/distr/stampa

Madison [N.J.], : Fairleigh Dickinson University Press

Lanham, Md., : Rowman & Littlefield, 2011

ISBN

1-283-07193-2

9786613071934

1-61147-009-9

Edizione

[1st ed.]

Descrizione fisica

1 online resource (327 p.)

Disciplina

823/.8

Soggetti

Goddesses in literature

Femininity of God in literature

Archetype (Psychology) in literature

Theology in literature

Christian fiction - History and criticism

Fantasy fiction, English - History and criticism

Christianity and literature - Scotland - History - 19th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Acknowledgments; Introduction: Why Goddesses?; Chapter one; The Great Mother; Chapter Two; The Terrible Mother; Chapter Three; The Magic Cauldron; Chapter four; The Muse and the Divine Child; Chapter five; The Great Goddess- The Left Hand of God; Chapter Six; Biblical Sophia; Chapter Seven; Victorian Sophia; Chapter eight; Patroness of Heroes; Chapter nine; The Kore; Conclusion: Witches and the God of Love; Notes; Works Cited; About the Author

Sommario/riassunto

The Christian Goddess examines the goddess-figures in the fantasies and fairy tales of George MacDonald. Bonnie Gaarden asserts that MacDonald, a Victorian Scot who wrote one of the first adult fantasy novels produced in English and became a powerful influence on C. S. Lewis, also 'anticipated the modern quest for the feminine face of God. ' Gaarden analyzes the feminine divinities in MacDonald's fantasy



literature both as archetypes identified by Carl Jung and his followers and as emblems of MacDonald's Romantic Christian theology, which couples orthodox Trinitarianism with universalism-the b