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Record Nr. |
UNINA9910808382803321 |
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Titolo |
Textual & visual selves [[electronic resource] ] : photography, film, and comic art in French autobiography / / edited by Natalie Edwards, Amy L. Hubbell, and Ann Miller |
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Pubbl/distr/stampa |
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Lincoln [Neb.], : University of Nebraska Press, c2011 |
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ISBN |
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1-280-49776-9 |
9786613592996 |
0-8032-3799-5 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (286 p.) |
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Altri autori (Persone) |
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EdwardsNatalie |
HubbellAmy L |
MillerAnn <1949 Sept. 1-> |
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Disciplina |
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Soggetti |
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French prose literature - History and criticism |
Authors, French - Biography - History and criticism |
Art in literature |
Autobiography - Authorship |
Visual perception in literature |
Literature and photography - France |
Self in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels |
6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a |
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"Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; Index |
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Sommario/riassunto |
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Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas-and images-of self-representation.Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the refer |
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