1.

Record Nr.

UNINA9910808354003321

Autore

Klein Julie Thompson

Titolo

Humanities, culture, and interdisciplinarity [[electronic resource] ] : the  changing American academy / / Julie Thompson Klein

Pubbl/distr/stampa

Albany, : State University of New York Press, c2005

ISBN

0-7914-8267-7

1-4237-4787-9

Edizione

[1st ed.]

Descrizione fisica

1 online resource (278 p.)

Disciplina

001.3/071/173

Soggetti

Humanities - Study and teaching (Higher) - United States

Humanities - Philosophy

Culture - Study and teaching - United States

Education, Humanistic - United States

Interdisciplinary approach to knowledge

Learning and scholarship - United States

Learned institutions and societies - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. [221]-249)  and index.

Nota di contenuto

Introduction : humanities, culture, and interdisciplinarity -- Forming humanities -- Changing humanities -- Forging theory, practice, and institutional presence -- Rewriting the literary -- Refiguring the visual -- Retuning the aural -- Reconstructing American studies -- Defining other Americas -- Conclusion : crafting humanities for a new century.

Sommario/riassunto

The study of culture in the American academy is not confined to a single field, but is a broad-based set of interests located within and across disciplines. This book investigates the relationship among three major ideas in the American academy—interdisciplinarity, humanities, and culture—and traces the convergence of these ideas from the colonial college to new scholarly developments in the latter half of the twentieth century. Its aim is twofold: to define the changing relationship of these three ideas and, in the course of doing so, to extend present thinking about the concept of "American cultural studies." The book includes two sets of case studies—the first on the implications of interdisciplinarity for literary studies, art history, and



music; the second on the shifting trajectories of American studies, African American studies, and women's studies—and concludes by asking what impact new scholarly practices have had on humanities education, particularly on the undergraduate curriculum.