1.

Record Nr.

UNINA9910808138503321

Autore

Gabbard Glen O.

Titolo

Key papers in literature and psychoanalysis / / by Glen O. Gabbard

Pubbl/distr/stampa

Boca Raton, FL : , : Routledge, an imprint of Taylor and Francis, , [2018]

©2007

ISBN

0-429-91541-1

0-429-90118-6

0-429-47641-8

1-283-07030-8

9786613070302

1-84940-605-7

Descrizione fisica

1 online resource (276 p.)

Collana

International journal of psychoanalysis key papers series

Disciplina

801/.92

Soggetti

Psychoanalysis and literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Essays first appeared in the International journal of psychoanalysis.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Cover; Copy Right; SERIES PREFACE; ABOUT THE EDITORS; FOREWORD; CHAPTER ONE: Italo Svevo and the first psychoanalytic novel; CHAPTER TWO: A father's abdication: Lear's retreat from "aesthetic conflict"; CHAPTER THREE: "The music of what happens" in poetry and psychoanalysis; CHAPTER FOUR: From symbols to flesh: the polymorphous destiny of narration; CHAPTER FIVE: "It seemed to have to do with something else ... " : Henry James's What Maisie Knew and Bion's theory of thinking; CHAPTER SIX: Some thoughts on the essence of the tragic

CHAPTER SEVEN: Negation in Borges's "The secret miracle": writing the ShoahCHAPTER EIGHT: Killing the angel in the house: creativity, femininity, and aggression

Sommario/riassunto

Since Freud invoked the Oedipus story to exemplify and verify his findings with patients and in analyzing his own dreams, psychoanalysis and literature have had a fruitful if often distrusting relationship. Literature and theory have increased enormously in range. Education no longer insists upon classics of Western literature as building blocks for understanding. Yet the tie between psychoanalysis and imaginative



literature remains vital, and the two disciplines can interact vibrantly, as these selected essays of recent years from the International Journal of Psychoanalysis handsomely show. They explore overlaps of literary experience and psychoanalytic process, both of which activate our capacity to 'see feelingly', which is to say, provide occasion for a structured richness of knowing with a felt tie to truth. Both enhance consciousness, expand the emotions, undermine unconscious closures, and provoke thought; and it is those very qualities that inform their illustrative and explanatory usefulness to one another.