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Record Nr. |
UNINA9910807978203321 |
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Titolo |
The new extremism in cinema : from France to Europe / / edited by Tanya C. Horeck, Tina Kendall |
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Pubbl/distr/stampa |
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Edinburgh, : Edinburgh University Press, 2011 |
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ISBN |
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0-7486-5122-5 |
1-283-22184-5 |
9786613221841 |
0-7486-4709-0 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (249 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Motion pictures - Europe - History |
Sex in motion pictures |
Violence in motion pictures |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Copyright; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema; PART I French Cinema and the NewExtremism; Chapter 3 The Wounded Screen; Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism; Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont's Twentynine Palms in the Context of European Cinematic Extremism; PART II Becoming Animal: Posthumanism and the New Extremism; Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life |
Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/ExportChapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real; PART III Watching the Extreme: Cultural Reception; Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches?; Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New |
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