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Record Nr. |
UNINA9910807843103321 |
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Autore |
Rand Erica <1958-> |
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Titolo |
Barbie's queer accessories / / Erica Rand |
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Pubbl/distr/stampa |
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Durham : , : Duke University Press, , 1995 |
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ISBN |
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0-8223-1620-X |
0-8223-9924-5 |
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Descrizione fisica |
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1 online resource (225 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Sexual orientation - United States |
Homosexuality - United States |
Barbie dolls - Social aspects |
Barbie dolls - Marketing |
Popular culture - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (pages [197]-208) and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Acknowledgments -- Introduction On Our Backs, in Our Attics, on Our Minds -- Chapter One Making Barbie -- Chapter Two Older Heads on Younger Bodies -- Chapter Three Barbie's Queer Adult Accessories -- Conclusion. On Our Backs, in Our Hands, on Our Broadsides -- Notes -- Index |
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Sommario/riassunto |
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She’s skinny, white, and blond. She’s Barbie—an icon of femininity to generations of American girls. She’s also multiethnic and straight—or so says Mattel, Barbie’s manufacturer. But, as Barbie’s Queer Accessories demonstrates, many girls do things with Barbie never seen in any commercial. Erica Rand looks at the corporate marketing strategies used to create Barbie’s versatile (She’s a rapper! She’s an astronaut! She’s a bride!) but nonetheless premolded and still predominantly white image. Rand weighs the values Mattel seeks to embody in Barbie—evident, for example, in her improbably thin waist and her heterosexual partner—against the naked, dyked out, transgendered, and trashed versions favored by many juvenile owners and adult collectors of the doll.Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel’s numerous tie-ins and spin-offs. These variations, which include the |
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much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women’s lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie—or, more importantly, thought or worried about playing with Barbie—will find this book fascinating. |
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