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Record Nr. |
UNINA9910807325403321 |
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Autore |
Twark Jill E. <1968-> |
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Titolo |
Humor, satire, and identity : eastern German literature in the 1990s / / Jill E. Twark |
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Pubbl/distr/stampa |
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Berlin ; ; New York, : Walter de Gruyter, c2007 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (484 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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German wit and humor - Germany (East) |
German literature - 20th century - History and criticism |
Germany (East) In literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [409]-471). |
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Nota di contenuto |
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Front matter -- Acknowledgements -- Table of Contents -- Introduction. Humor and Satire as Responses to the Wende -- Chapter 1. The Comic Survivor: Self-Irony and Defensiveness in the Post-Wende Transition -- Chapter 2. The Picaresque as a Means to Reckon with the GDR -- Chapter 3. Regional Identities and Family Feuds Under the Microscope of Ironic Realism -- Chapter 4. Grotesque Configurations of Body, Language, and Narrative as Expressions of Trauma and Refractory Identities -- Conclusion. Building an Eastern German Identity by Sustaining and Subverting Past and Present German Society -- Appendices -- Works Consulted |
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Sommario/riassunto |
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This is the first book in English to survey the Eastern German literary trend of employing humor and satire to come to terms with experiences in the German Democratic Republic and after the fall of the Berlin Wall. As sophisticated attempts to make sense of socialism's failure and a difficult unification process, these contemporary texts help define Germany today from a specific, Eastern German perspective. Grounded in politics and history, ten humorous and satirical novels are analyzed for their literary aesthetics and language, cultural critiques, and socio-political insights. The texts include popular novels such as Thomas Brussig's Helden wie wir, Ingo Schulze's Simple Storys, and Jens Sparschuh's Der Zimmerspringbrunnen, as well as lesser-known but equally relevant works like Schlehweins Giraffe by |
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