1.

Record Nr.

UNINA9910807042003321

Titolo

Victorian literature and finance [[electronic resource] /] / edited by Francis O'Gorman

Pubbl/distr/stampa

Oxford ; ; New York, : Oxford University Press, 2007

ISBN

0191536008

9780191536007

Edizione

[1st ed.]

Descrizione fisica

xii, 201 p

Altri autori (Persone)

O'GormanFrancis

Disciplina

820.9/008

Soggetti

English literature - 19th century - History and criticism

Finance in literature

Money in literature

Value in literature

Capitalism in literature

Capitalism and literature - Great Britain - History - 19th century

Authorship - Economic aspects - Great Britain - History - 19th century

Literature publishing - Economic aspects - Great Britain - History - 19th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references (p. [193]-198) and index.

Nota di contenuto

Introduction / Francis O'Gorman -- "Even these metallic problems have their melodramatic side" : money in Victorian literature / Nicholas Shrimpton -- Inside out : value and display in Thomas De Quincey and Isaac Butt / Gordon Bigelow -- Edward Bulwer Lytton dreams of copyright : "It might make me a rich man" / Catherine Seville -- "Vulgar needs" : Elizabeth Barrett Browning, profit, and literary value / Alison Chapman -- The drama of capital : risk, belief, and liability on the Victorian stage / Jane Moody -- "Ladies do it?" : Victorian women investors in fact and fiction / Nancy Henry -- Literary realism in the wake of business cycle theory : the way we live now (1875) / Tara McGann -- Speculative fictions and the fortunes of H. Rider Haggard / Francis O'Gorman -- Cultural versus financial capital : defining literary value at the Fin de Siecle / Josephine M. Guy.

Sommario/riassunto

This book analyses relationships between writing and the financial



structures of the 19th century. What emerges is a remarkable set of imaginative connections between literature and Victorian finance, including women and the culture of investment, the profits of a media age, and the uncomfortable relationship between literary and financial capital.