Cover -- Title Page -- Contents -- Acknowledgements -- Introduction -- Books in Space: Adjacency, EEBO-TCP, and Early Modern Dramatists -- Plotting the "Female Wits" Controversy: Gender, Genre, and Printed Plays, 1670-1699 -- A Bird's-Eye View of Early Modern Latin: Distant Reading, Network Analysis, and Style Variation -- Displaying Textual and Translational Variants in a Hypertextual and Multilingual Edition of Shakespeare's Multi-text Plays -- Re-Modeling the Edition: Creating the Corpus of Folger Digital Texts -- Collaborative Curation and Exploration of the EEBO-TCP Corpus -- "Ill shapen sounds, and false orthography": A Computational Approach to Early English Orthographic Variation -- Linked Open Data and Semantic Web Technologies in Emblematica Online -- Mapping Toponyms in Early Modern Plays with the Map of Early Modern London and Internet Shakespeare Editions Projects: A Case Study in Interoperability -- Microstoria 2.0: Geo-locating Renaissance Spatial and Architectural History -- Gazing into Imaginary Spaces: Digital Modeling and the Representation of Reality -- Cambridge Revisited?: Simulation, Methodology, and Phenomenology in the Study of Theatre History -- Staying Relevant: Marketing Shakespearean Performance through Social Media -- Contributors. |