Ending and unending agony : on maurice blanchot / / Philippe Lacoue-Labarthe ; translated by Hannes Opelz

• Record Nr.: UNINA9910806153003321
• Autore: Lacoue-Labarthe Philippe
• Pubbl/distr/stampa: New York, [New York] : , : Fordham University Press, , 2015; ©2015
• ISBN: 0-8232-6680-X; 0-8232-6461-0; 0-8232-6460-2
• Edizione: [First edition.]
• Descrizione fisica: 1 online resource (192 p.)
• Collana: Lit Z
• Disciplina: 843.914
• Soggetti: World War, 1939-1945
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front matter -- Contents -- Translator’s Note -- Introduction -- Prologue -- I. “The Secret Miracle” (20 July?) -- II. Ending and Unending Agony (22 September?) -- Notes -- Bibliographical Note -- Index of Names -- Sara Guyer and Brian McGrath, series editors
• Sommario/riassunto: Published posthumously, Ending and Unending Agony is Philippe Lacoue-Labarthe’s only book entirely devoted to the French writer and essayist Maurice Blanchot (1907–2003). The place of Blanchot in Lacoue-Labarthe’s thought was both discreet and profound, involving difficult, agonizing questions about the status of literature, with vast political and ethical stakes. Together with Plato, Holderlin, Nietzsche, Benjamin, and Heidegger, Blanchot represents a decisive crossroads for Lacoue-Labarthe’s central concerns. In this book, they converge on the question of literature, and in particular of literature as the question of myth—in this instance, the myth of the writer born of the autobiographical experience of death. However, the issues at stake in this encounter are not merely autobiographical; they entail a relentless struggle with processes of figuration and mythicization inherited from the age-old concept of mimesis that permeates Western literature and culture. As this volume demonstrates, the originality of Blanchot’s thought lies in its problematic but obstinate deconstruction of precisely ; such processes.In addition to offering unique, challenging readings of Blanchot’s writings, setting them among those of Montaigne, Rousseau, Freud, Winnicott, Artaud, Bataille, Lacan, Malraux, Leclaire, Derrida, and others, this book offers fresh insights into two crucial twentieth-century thinkers and a new perspective on contemporary debates in European thought, criticism, and aesthetics.