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Record Nr. |
UNINA9910800035303321 |
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Autore |
Welchman John C. |
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Titolo |
Art after appropriation : essays on art in the 1990s / / John C. Welchman |
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Pubbl/distr/stampa |
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London : , : G+B Arts International, , 2003 |
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ISBN |
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1-136-80136-7 |
1-136-80137-5 |
1-283-96526-7 |
0-203-82744-9 |
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Descrizione fisica |
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1 online resource (305 p.) |
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Disciplina |
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Soggetti |
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Art, Modern - 20th century |
Appropriation (Art) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Art After Appropriation; Title Page; Copyright Page; Table of Contents; IntroductionGlobal Nets: Appropriation and Postmodernity; Chapter 1 Photographies, Counter-revolution and Second Worlds: Allegories by Design, 1989; Chapter 2 Photographies, Counter-revolution and Second Worlds: Releases and Counter-appropriations, 1989; Chapter 3 New Bodies: The Medical Venus and the Techno-grotesque, 1993-1994; Chapter 4 Faces, Boxes and The Moves: On Travelling Video Cultures, 1993; Chapter 5 Public Art and the Spectacle of Money: On Art Rebate/ Arte Reembolso, 1993 |
Chapter 6 'Peeping Over the Wall': Narcissism in the 1990s, 1995Chapter 7 Parametrology: From the White Cube to the Rainbow Net, 1996; Chapter 8 Culture/Cuts: Post-appropriation in the Work of Cody Hyun Choi, 1998; Chapter 9 Some Horizons of Medialisation: The Rainbow Net, 1999; Index |
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Sommario/riassunto |
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Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The |
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opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of ethnography, documentary and travel are crossed with fic |
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