Intro -- Acknowledgements -- Praise for The Financial Image -- Contents -- Chapter 1: Introduction -- Locating the Image -- Defining Financial -- The Financial Image in Film Studies -- Culture and Finance Capital -- Money: The Obverse of Every Image That Cinema Screens -- Bibliography -- Chapter 2: The Financial Regime and the Financial Image -- The 'Mutation of Capitalism': The Financial Regime and Control Society -- Case Study I: Foucault, Frankfurt, and the Birth of the Financial Aesthetic: The Girl Rosemarie -- Mixed Semiotics in the Financial Regime -- Case Study 2: Hito Steryerl's Liquidity Inc. -- Bibliography -- Chapter 3: Film and the Financial Gaze -- Imaging Value: Harun Farocki's Nothing Ventured (2004) -- Constituting the Female Financial Gaze: Equity (Meera Menon Broad Street Pictures, 2016) -- Complicity and Delusion: The Wolf of Wall Street (Martin Scorsese, Red Granite Pictures, 2013) -- Bibliography -- Chapter 4: Film and Financial Time -- Film and Financial Time: Zachary Formwalt's Three Exchanges (2009, 2011, 2014) -- Carnival of Financial Souls: Yella (Christian Petzold, Schramm Körner, and Weber, 2007) -- Bibliography -- Chapter 5: Film and Financial Space -- The Spaces of Financial Labour: Nightcleaning in the City of London -- The Spaces of Financial Labour: Nightcleaning in the Financial Zone of Dubai -- 'There'll be a Commotion': Financial Turbulence in The City Below (Christoph Hochhäusler, Wdr/Arte, 2010) -- Moment One -- Moment Two -- Moment Three -- Moment Four -- Moment Five -- Bibliography -- Chapter 6: Film and Financial Performativity -- Introduction -- |