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Record Nr. |
UNINA9910799484303321 |
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Autore |
Bonini Tiziano |
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Titolo |
Platformed! How Streaming, Algorithms and Artificial Intelligence Are Shaping Music Cultures / / Tiziano Bonini and Paolo Magaudda |
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Pubbl/distr/stampa |
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Cham, Switzerland : , : Macmillan Palgrave, , [2024] |
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©2024 |
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ISBN |
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9783031439650 |
3031439651 |
3-031-43965-1 |
9783031439643 |
3031439643 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (168 pages) |
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Collana |
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Pop Music, Culture and Identity Series |
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Disciplina |
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Soggetti |
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musikk |
algoritmer |
internett |
Music and the Internet |
Music trade |
Popular music |
Streaming audio |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- Acknowledgments -- Contents -- About the Authors -- Chapter 1: Introduction: How Digital Platforms are Changing Music -- References -- Chapter 2: Streaming: Where It Comes From -- 2.1 The Paradox of Music and the Role of Technological Innovation -- 2.2 Not Just Progress: The Case of the Vinyl Record -- 2.3 A Brief History of the Evolution of Digital Music -- 2.4 The Age of the MP3 Format -- 2.5 Music Streaming, from Radio to On-Demand Content -- References -- Chapter 3: Platforms: Why Music Depends on Them -- 3.1 What Are Digital Platforms? -- 3.2 The Rise of the Platform Society -- The Micro Level: How Platforms Work -- The Meso Level: The Platform Ecosystem -- The Macro Level: Platform Society -- 3.3 How Platforms |
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Transformed Cultural Industries -- 3.4 Platforms in the Music Industry -- 3.5 A Short History of Spotify -- References -- Chapter 4: Algorithms: Who Selects Music for Us -- 4.1 How Platforms Choose the Music for Us -- 4.2 How Music Selection Is Changing: From Old to New Gatekeepers -- 4.3 The Differences Between Old and New Gatekeepers -- 4.4 Playlists, Algorithms, and Curators -- 4.5 The Role of Human Curators in Music Selection -- 4.6 Playlists Between Editorial and Algorithmic Selection -- 4.7 "The Winner Takes It All": New Economic Inequalities in the Age of Platforms -- References -- Chapter 5: Listeners: How They Shape Music Consumption Practices -- 5.1 Are Streaming Music Listeners "Lean-Back" Listeners? -- 5.2 Two Traps to Avoid Falling Into -- 5.3 From Music as an Object to Music as a Service -- 5.4 From MP3 Player to Smartphone -- 5.5 A Free Subscription Does Not Equate to Listening Freedom -- 5.6 The Interaction with Algorithms -- 5.7 Listeners' Choice and the Multilayered Musical Experience -- 5.8 Resistance, Tactics, and Anti-programs -- References. |
Chapter 6: Artificial Intelligence: Where the Music of the Future Is Heading -- 6.1 Will Artificial Intelligence Replace Musicians? -- 6.2 Spotify, AI, and the Creator Technology Research Lab -- 6.3 The Multiplicity of Assemblages in AI-Generated Music -- 6.4 LANDR and the Automation of Audio Mastering -- 6.5 New Forms of Music Distribution: Blockchain and Non-fungible Tokens -- References -- Chapter 7: Conclusions: What Is the Value of Music -- References -- Index. |
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