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Record Nr. |
UNINA9910799291703321 |
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Autore |
Meyer Dirk |
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Titolo |
Songs of the Royal Zhōu and the Royal Shào : Shī 詩 of the Ānhuī University Manuscripts |
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Pubbl/distr/stampa |
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Boston : , : BRILL, , 2022 |
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©2022 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (234 pages) |
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Collana |
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Ancient Languages and Civilizations Series ; ; v.2 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Chinese poetry - To 221 B.C |
Chinese poetry - To 221 B.C - History and criticism |
Poetry |
Literary criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- Contents -- Acknowledgements -- Introduction -- 1. The Ān Dà Shī -- 2. Attempting an 'Emic' Reading of the Ān Dà Shī -- 3. Writing the Image Programme of the Songs -- 4. Bringing to Life the Sound Moulds of Shī Production -- 5. Sounding the Image Programme of the Songs -- 6. Receiving the Shī -- 7. The Significance of the Royal Zhōu and the Royal Shào -- 8. What Does 'Nán' Mean? -- 9. The Significance of the Ān Dà Shī -- 10. The Songs of the Royal Zhōu and the Royal Shào: Conventions -- Songs of the Royal Zhōu and the Royal Shào -- Songs of the Royal Zhōu -- List of Songs -- Ān Dà Shī 安 大 《 》 -- Máo Shī, the Máo recension 《 毛 》 -- Zhōu Nán 1 周 南 一 -- 1.1. Notes on the text -- 1.2. Establishing a reading -- 1.3. Analysis: Zhōu Nán 1 -- Zhōu Nán 2 周 南 二 -- 2.1. Notes on the text -- 2.2. Establishing a reading -- 2.3. Analysis: Zhōu Nán 2 -- Zhōu Nán 3 周 南 三 -- 3.1. Notes on the text -- 3.2. Establishing a reading -- 3.3. Analysis: Zhōu Nán 3 -- Zhōu Nán 4 周 南 四 -- 4.1. Notes on the text -- 4.2. Establishing a reading -- 4.3. Analysis: Zhōu Nán 4 -- Zhōu Nán 5 周 南 五 -- 5.1. Notes on the text -- 5.2. Establishing a reading -- 5.3. Analysis: Zhōu Nán 5 -- Zhōu Nán 6 周 南 六 -- 6.1. Notes on the text -- 6.2. Establishing a reading -- 6.3. Analysis: Zhōu Nán 6 -- Zhōu Nán 7 |
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周 南 七 -- 7.1. Notes on the text -- 7.2. Establishing a reading -- 7.3. Analysis: Zhōu Nán 7 -- Zhōu Nán 8 周 南 八 -- 8.1. Notes on the text -- 8.2. Establishing a reading -- 8.3. Analysis: Zhōu Nán 8 -- Zhōu Nán 9A 周 南 九 -- Zhōu Nán 9B 周 南 九 -- 9.1. Notes on the text -- 9.2. Establishing a reading -- 9.3. Analysis: Zhōu Nán 9AB -- Zhōu Nán 11 周 南 十 一 -- 11.1. Notes on the Text -- 11.2. Establishing a Reading -- 11.3. Analysis: Zhōu Nán 11 -- Songs of the Royal Shào -- List of Songs -- Ān Dà Shī 安 大 《 》. |
Máo Shī, the Máo recension 《 毛 》 -- Shào Nán 1 召 南 一 -- 1.1. Notes on the text -- 1.2. Establishing a reading -- 1.3. Analysis: Shào Nán 1 -- Shào Nán 2 召 南 二 -- 2.1. Notes on the text -- 2.2. Establishing a reading -- 2.3. Analysis: Shào Nán 2 -- Shào Nán 3 召 南 三 -- 3.1. Notes on the text -- 3.2. Establishing a reading -- 3.3. Analysis: Shào Nán 3 -- Shào Nán 4 召 南 四 -- 4.1. Notes on the text -- 4.2. Establishing a reading -- 4.3. Analysis: Shào Nán 4 -- Shào Nán 5召 南 五 -- 5.1. Notes on the text -- 5.2. Establishing a reading -- 5.3. Analysis: Shào Nán 5 -- Shào Nán 6 召 南 六 -- 6.1. Notes on the text -- 6.2. Establishing a reading -- 6.3. Analysis: Shào Nán 6 -- Shào Nán 7召 南 七 -- 7.1. Notes on the text -- 7.2. Establishing a reading -- 7.3. Analysis: Shào Nán 7 -- Shào Nán 8 召 南 八 -- 8.1. Notes on the text -- 8.2. Establishing a reading -- 8.3. Analysis: Shào Nán 8 -- Shào Nán 9 召 南 九 -- 9.1. Notes on the text -- 9.2. Establishing a reading -- 9.3. Analysis: Shào Nán 9 -- Shào Nán 10 召 南 十 -- 10.1. Notes on the text -- 10.2. Establishing a reading -- 10.3. Analysis: Shào Nán 10 -- Shào Nán 11 召 南 十 一 -- 11.1. Notes on the text -- 11.2. Establishing a reading -- 11.3. Analysis: Shào Nán 11 -- Shào Nán 12 召 南 十 二 -- 12.1. Notes on the text -- 12.2. Establishing a reading -- 12.3. Analysis: Shào Nán 12 -- Shào Nán 13 召 南 十 三 -- 13.1. Notes on the text -- 13.2. Establishing a reading -- 13.3. Analysis: Shào Nán 13 -- Shào Nán 14 召 南 十 四 -- 14.1. Notes on the text -- 14.2. Establishing a reading -- 14.3. Analysis: Shào Nán 14 -- Bibliography -- Index. |
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Sommario/riassunto |
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"The songs of the Royal Zhōu ("Zhōu Nán" ) and of the Royal Shào ("Shào Nán" ) have formed a conceptual unit since at least the late Spring and Autumn period (771-453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453-221 BC), iteration as witnessed by the Anhui University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period"-- |
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