1.

Record Nr.

UNISA996217178503316

Autore

Chowdhury Dipak K

Titolo

Computational Seismology and Geodynamics: Selected papers from Volumes 32 of Vychislitel'naya Seysmologiya. Volume 7

Pubbl/distr/stampa

[Place of publication not identified], : American Geophysical Union, 2005

ISBN

1-118-66782-4

Descrizione fisica

1 online resource (250 pages) : illustrations

Collana

Computational seismology and geodynamics ; ; 7

Disciplina

550.15118

Soggetti

Geodynamics - Mathematical models

Seismology - Mathematical models

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph



2.

Record Nr.

UNINA9910798950403321

Autore

Agamben Giorgio <1942->

Titolo

The fire and the tale / / Giorgio Agamben ; translated by Lorenzo Chiesa

Pubbl/distr/stampa

Stanford, California : , : Stanford University Press, , 2017

©2017

ISBN

1-5036-0165-X

Descrizione fisica

1 online resource (161 pages)

Collana

Meridian: Crossing Aesthetics

Disciplina

801/.93

Soggetti

Literature - Aesthetics

Literature - Philosophy

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Front matter -- Contents -- The Fire and the Tale -- Mysterium Burocraticum -- Parable and Kingdom -- What Is the Act of Creation? -- Vortexes -- In the Name of What? -- Easter in Egypt -- On the Difficulty of Reading -- From the Book to the Screen: The Before and the After of the Book -- Opus Alchymicum -- Note on the Texts -- Notes

Sommario/riassunto

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenaciously resists creation, thereby giving each work its strength and grace. The ten essays brought together here cover works by figures ranging from Aristotle to Paul Klee and illustrate what urgently drives Agamben's current research. As is often the case with his writings, their especial focus is the mystery of literature, of reading and writing, and of language as a laboratory for conceiving an ethico-political perspective that places us beyond sovereign power.



3.

Record Nr.

UNISA996639670503316

Autore

Heinicker Paul

Titolo

Anderes Visualisieren - Zur Kritik der Datengestaltung

Pubbl/distr/stampa

Bielefeld : , : transcript Verlag, , 2024

©2024

ISBN

3-8394-7482-5

Edizione

[1st ed.]

Descrizione fisica

1 online resource (437 pages)

Collana

Design ; ; 67

Soggetti

DESIGN / History & Criticism

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Frontmatter -- Inhalt -- Einleitung -- KAPITEL 1 Gescheitertes Visualisieren -- Abschnitt I Kritik alter Modelle -- KAPITEL 2 Datenexzeptionalismus -- KAPITEL 3 Visualisierte Modelle -- KAPITEL 4 Modellerweiterung -- Abschnitt II Projektion neuer Modelle -- KAPITEL 5 Nicht-anthropozentrisches Diagrammieren -- KAPITEL 6 Planetares Diagrammieren -- KAPITEL 7 Neue Modelle -- Bibliografie -- Abbildungsverzeichnis -- Danksagung -- Impressum

Sommario/riassunto

Ob Corona-Pandemie oder Klimawandel - Datenbilder sind zu einem zentralen Bestandteil gesellschaftlicher Diskurse geworden. Doch gerade ihre Anschaulichkeit verstellt den Blick auf die Komplexität von Bildprozessen. Was zeigen Datenvisualisierungen und was verschweigen sie? Und von wem und wie werden Daten visualisiert? Paul Heinicker formuliert eine Kritik an der abbildungsgetriebenen Kultur der Datenvisualisierung und entwickelt alternative Modelle, die sich näher an den produktionstheoretischen Realitäten der Datengestaltung orientieren - wozu z.B. auch die Beschreibung eigener Visualisierungspraktiken gehört. Dabei zeigt sich: Anderes Visualisieren realisiert sich im Dazwischen von Theorie und Praxis.