| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910455645803321 |
|
|
Autore |
Gamer Michael |
|
|
Titolo |
Romanticism and the Gothic : genre, reception, and canon formation / / Michael Gamer [[electronic resource]] |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cambridge : , : Cambridge University Press, , 2000 |
|
|
|
|
|
|
|
ISBN |
|
1-107-11983-9 |
0-511-01008-7 |
1-280-15471-3 |
0-511-11848-1 |
0-511-15104-7 |
0-511-48421-6 |
0-511-04988-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (xiii, 255 pages) : digital, PDF file(s) |
|
|
|
|
|
|
Collana |
|
Cambridge studies in Romanticism ; ; 40 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
English literature - 18th century - History and criticism |
Gothic revival (Literature) - Great Britain |
English literature - 19th century - History and criticism |
Literary form - History - 18th century |
Literary form - History - 19th century |
Romanticism - Great Britain |
Canon (Literature) |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. 201-245) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim |
|
|
|
|
|
|
|
|
|
|
|
|
|
critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation. |
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910798936703321 |
|
|
Autore |
Bulson Eric |
|
|
Titolo |
Little magazine, world form / / Eric Bulson |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York : , : Columbia University Press, , [2017] |
|
©2017 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (348 pages) : illustrations, maps |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Classificazione |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Little magazines - History - 20th century |
Literature and society - History - 20th century |
Modernism (Literature) |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Previously issued in print: 2016. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction: little magazine, world form -- A worldwide network of periodicals -- Transatlantic immobility -- In Italia, all'estero -- Little exiled magazine -- Little postcolonial magazine -- Little wireless magazine -- Afterword: little digittle magazine. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Little magazines made modernism. These unconventional, noncommercial publications may have brought writers such as James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina Loy, and Wallace Stevens to the world but, as Eric Bulson shows in Little Magazine, World Form, their reach and importance extended far beyond Europe and the United States. By investigating the global and transnational itineraries |
|
|
|
|
|
|
|
|
|
|
of the little-magazine form, Bulson uncovers a worldwide network that influenced the development of literature and criticism in Africa, the West Indies, the Pacific Rim, and South America.In addition to identifying how these circulations and exchanges worked, Bulson also addresses equally formative moments of disconnection and immobility. British and American writers who fled to Europe to escape Anglo-American provincialism, refugees from fascism, wandering surrealists, and displaced communists all contributed to the proliferation of print. Yet the little magazine was equally crucial to literary production and consumption in the postcolonial world, where it helped connect newly independent African nations. Bulson concludes with reflections on the digitization of these defunct little magazines and what it means for our ongoing desire to understand modernism's global dimensions in the past and its digital afterlife. |
|
|
|
|
|
| |