Distraction : problems of attention in eighteenth-century literature / / Natalie M. Phillips

• Record Nr.: UNINA9910798789003321
• Autore: Phillips Natalie M.
• Pubbl/distr/stampa: Baltimore, Maryland : , : Johns Hopkins University Press, , 2016; ©2016
• ISBN: 1-4214-2013-9
• Descrizione fisica: 1 online resource (303 p.)
• Disciplina: 820.9/353
• Soggetti: Enlightenment - Great Britain; Psychology and literature - History - 18th century; Distraction (Psychology); Interest (Psychology); Cognition in literature; English literature - 18th century - History and criticism
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Cover; Half-title; Title; Copyright; Contents; Preface; Introduction: The Literary History of Distraction; The Unifocal and the Multifocal; The Rise of the Distracted Character; Attention, Distraction, and Enlightenment Philosophy of Mind; A Swiftly Tilting Madness; Categorizing Distraction; 1 Mind Wandering: Forms of Distraction in the Eighteenth-Century Essay; Distraction and the Eighteenth-Century Essay; The Rhetoric of Attention: Appealing to Pathos and Brevitas; The Essay as a Tool of Focus; Training Attention to Attention; Strengthening Focus: Repetition and Dramatic Irony; Economies of AttentionThe History of Attention Span; 2 Lapses of Concentration: Distracted Vigilance and the Female Mind; Environment and Mind: Urban Diversion and the Distracted Brain; The Problem of a Soft Female Mind; Sex, Environment, and the Multifocal Coquette; The Challenges of Situational Awareness; Philosophizing Multiplicity: Cognitive Bottlenecks and Sorting Gloves; Strained Omniscience and the Distracted Heroine; The Crowded Syntax of Sexual Inattention; "Might as Well Be Passed Over as Read": Indulging the Diverted Reader; 3 Scattered Attention: Distraction and the Rhythm of Cognitive OverloadRhythms of Narrative, Rhythms of Mind; Tristram's Style and the Scattered Rhythms of Cognitive Overload; Susannah and the Vexed Situation of Madam Reader; The Anatomy of Parallel Processing; The Sermon and Rhythms of Distraction; Hobbyhorses and the Individual Beat of Interest; Irregular Distraction: The Tempo of Cognitive Overload; Rhythms of the Brain: Creativity and the Timing of Distraction; 4 Fixated Attention: The Gothic Pathology of Single-Minded Focus; Microscope and Mind; Scientific Metaphors and the Madness of AttentionThe Politics and Poetics of Fixation; Involuntary Attention: A Multifocal Selective Blindness; Sympathy and the Bene.ts of Distraction; Rewriting Suspense: Interruption and the Gothic Sublime; Fixation and the Science of Obsession; 5 Divided Attention: Characterization and Cognitive Richness in Jane Austen; The Power of Multitasking in Pride and Prejudice; The Singular Importance of Inattentive Characters; Mr. Hurst: The Limited Capacity of the Undivided Mind; Mrs. Jenkinson: Narrow Bandwidth and the Creation of Depth; Lydia and Miss Bingley: Caricaturing Cognitive VacancyThe Dangers of Too Much Attention; Distraction as Liveliness of Mind; Mary Bennet: Hyperfocus and Cognitive Immobility; Lady Catherine de Bourgh: The Problem of Excessive Vigilance; Elizabeth Bennet: The Bene.ts of Diversion; Characterizing Reading: Maps of Distraction and Interest; Coda: History of Mind and Literary Neuroscience; Interdisciplinarity: From Theory to Practice; Literary Attention: An fMRI Study of Reading Jane Austen; The Value of Literary History; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S