|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910798659203321 |
|
|
Autore |
Finney Angus <1964-> |
|
|
Titolo |
The state of European cinema : a new dose of reality / / Angus Finney ; [foreword by Nik Powell] |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, England : , : Cassell, , 1996 |
|
London, England : , : Bloomsbury Publishing, , 2020 |
|
|
|
|
|
|
|
|
|
ISBN |
|
0-304-33302-6 |
1-4742-9072-8 |
1-4742-9071-X |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (290 p.) |
|
|
|
|
|
|
Collana |
|
Bloomsbury academic collections. Film studies : European cinema |
|
|
|
|
|
|
Classificazione |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures - Europe |
Motion picture industry - Europe |
Films, cinema |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (page 255) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
1. Back to the Future: the New State of Play -- 2. Strategies for Development -- 3. Training for the Future -- 4. Casting and Stars -- 5. Europe's Corporate Players -- Case Study: PolyGram Filmed Entertainment -- 6. Co-production and Co-financing Strategies -- Case Studies: Eurimages -- 7. Support Mechanisms Across Europe -- 8. Feeding the Distribution Pipelines -- 9. The New Way Forward: the Effect and Role of New Technology -- Case Studies: -- Trainspotting -- Farinelli -- Rob Roy -- Tales of a Hard City -- The Name of the Rose -- Breaking the Waves -- Guiltrip -- Antonia's Line -- Circle of Friends -- The Flower of My Secret -- Appendices -- Bibliography -- Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
"The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe's film industry and include a detailed analysis of Europe's public subsidy funds, co-production trends and cinema distribution systems, as well as practical information on screenplay development and training and an examination of Europe's declining |
|
|
|
|