1.

Record Nr.

UNINA9910798554503321

Autore

Fujiki Hideaki

Titolo

Making Personas : Transnational Film Stardom in Modern Japan / / Hideaki Fujiki

Pubbl/distr/stampa

Boston : , : Harvard University Asia Center, , 2013

Leiden; ; Boston : , : BRILL, , 2013

ISBN

1-68417-063-X

Edizione

[1st ed.]

Descrizione fisica

1 online resource

Collana

Harvard University Studies in East Asian Law ; ; 79

Disciplina

791.430952

Soggetti

Motion picture actors and actresses - Japan

Motion pictures - Japan - History - 20th century

Motion picture actors and actresses - United States

Fame - History - 20th century

Japan Civilization American influences

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Sommario/riassunto

The film star is not simply an actor but a historical phenomenon that derives from the production of an actor's attractiveness, the circulation of his or her name and likeness, and the support of media consumers. This book analyzes the establishment and transformation of the transnational film star system and the formations of historically important film stars--Japanese and non-Japanese--and casts new light on Japanese modernity as it unfolded between the 1910s and 1930s. Hideaki Fujiki illustrates how film stardom and the star system emerged and evolved, touching on such facets as the production, representation, circulation, and reception of performers' images in films and other media. Examining several individual performers--particularly benshi narrators, Onoe Matsunosuke, Tachibana Teijirō, Kurishima Sumiko, Clara Bow, and Natsukawa Shizue--as well as certain aspects of different star systems that bolstered individual stardom, this study foregrounds the associations of contradictory, multivalent social factors that constituted modernity in Japan, such as industrialization, capitalism, colonialism, nationalism, and consumerism. Through its



nuanced treatment of the production and consumption of film stars, this book shows that modernity is not a simple concept, but an intricate, contested, and paradoxical nexus of diverse social elements emerging in their historical contexts.