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UNINA990008693050403321 |
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Autore |
International Federation of Library Associations and Institutions |
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Titolo |
ISBD(CR) : International standard bibliographic description for serials and other continuing resources : revisione dell'ISBD(S): International standard bibliographic description for serials / International Federation of Library Associations and Istitutions ; raccomandata dall'ISBD(S) Working group ; approvata dagli standing committees dell'IFLA, Section on cataloguing e dell'IFLA, Section on serial publications ; edizione italiana a cura dell'Istituto centrale per il catalogo unico delle biblioteche italiane e per le informazioni bibliografiche |
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Descrizione fisica |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Trad. di Marta Cantini, Roberto Mauro, con la collaborazione di Giulio Palanga |
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2. |
Record Nr. |
UNINA9910798421903321 |
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Autore |
Nancy Jean-Luc |
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Titolo |
Ego Sum : Corpus, Anima, Fabula / / Jean-Luc Nancy |
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Pubbl/distr/stampa |
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New York, NY : , : Fordham University Press, , [2016] |
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©2016 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (167 p.) |
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Altri autori (Persone) |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Front matter -- Contents -- Preface to the English Edition -- Translator’s Introduction -- Ego Sum: Opening -- Dum Scribo -- Larvatus pro Deo -- Mundus Est Fabula -- Unum Quid -- Notes |
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Sommario/riassunto |
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First published in 1979 but never available in English until now, Ego Sum challenges, through a careful and unprecedented reading of Descartes’s writings, the picture of Descartes as the father of modern philosophy: the thinker who founded the edifice of knowledge on the absolute self-certainty of a Subject fully transparent to itself. While other theoretical discourses, such as psychoanalysis, have also attempted to subvert this Subject, Nancy shows how they always inadvertently reconstituted the Subject they were trying to leave behind. Nancy’s wager is that, at the moment of modern subjectivity’s founding, a foundation that always already included all the possibilities of its own exhaustion, another thought of “the subject” is possible. By paying attention to the mode of presentation of Descartes’s subject, to the masks, portraits, feints, and fables that populate his writings, Jean-Luc Nancy shows how Descartes’s ego is not the Subject of metaphysics but a mouth that spaces itself out and distinguishes itself. |
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