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1. |
Record Nr. |
UNINA9910460093903321 |
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Autore |
Franciscus, de Marchia, <14th cent.> |
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Titolo |
Reportatio IIA [[electronic resource] ] : (quaestiones in secundum librum sententiarum), qq. 1-12 / / Francisci de Marchia ; ediderunt, Tiziana Suarez-Nani ... [et al.] |
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Pubbl/distr/stampa |
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Leuven, : Leuven University Press, 2008 |
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ISBN |
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Descrizione fisica |
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1 online resource (364 p.) |
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Collana |
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Ancient and medieval philosophy. Series 3 |
Francisci de Marchia opera philosophica et theologica ; ; 2,1 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Philosophy, Medieval |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Sommario/riassunto |
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This commentary exists in two versions:The major version is contained in 17 manuscripts and the critical edition of it is being prepared by a team of specialists led by Prof. Tiziana Suarez-Nani of the University of Fribourg, Switzerland. A minor version is found in one Vatican manuscript and is being edited by Prof. Em. Girard J. Etzkorn. The texts edited in this volume all deal with creation, and investigate such central philosophical and theological issues as action, production, and causality, being and nothingness, the nature of time, God's relation to the world he created, and the distinc |
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2. |
Record Nr. |
UNINA9910798398603321 |
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Autore |
Meggs Philip B. |
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Titolo |
Meggs' history of graphic design / / Philip B. Meggs, Alston W. Purvis |
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Pubbl/distr/stampa |
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Hoboken, New Jersey : , : Wiley, , 2016 |
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©2016 |
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ISBN |
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1-119-13623-7 |
1-119-13620-2 |
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Edizione |
[6th ed.] |
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Descrizione fisica |
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1 online resource (682 pages) : illustrations (some colour) |
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Disciplina |
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Soggetti |
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Graphic design (Typography) - History |
Book design - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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History of Graphic Design ; Contents; Preface; Preface to the First Edition; Acknowledgments; Part I The Prologue to Graphic Design ; The visual message from prehistory through the medieval era ; The Invention of Writing; Prehistoric visual communications; The cradle of civilization; The earliest writing; Mesopotamian visual identification; Egyptian hieroglyphs; Papyrus and writing; The first illustrated manuscripts; Egyptian visual identification; Alphabets; Cretan pictographs; The North Semitic alphabet; The Aramaic alphabet and its descendants; The Greek alphabet; The Latin alphabet |
The Korean alphabet The Asian Contribution; Chinese calligraphy; The invention of paper; The discovery of printing; The invention of movable type; Illuminated Manuscripts; The classical style; Celtic book design; The Caroline graphic renewal; Spanish pictorial expressionism; Romanesque and Gothic manuscripts; Judaic manuscripts; Islamic manuscripts; Late medieval illuminated manuscripts; Part II A Graphic Renaissance ; The origins of European typography and design for printing ; Printing Comes to Europe; Early European block printing; Movable typography in Europe; Copperplate engraving |
The German Illustrated Book Origins of the illustrated typographic book; Nuremberg becomes a printing center; Typography spreads from Germany; Renaissance Graphic Design; Graphic design of the Italian |
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Renaissance; Italian writing masters; Innovation passes to France; Basel and Lyons become design centers; The seventeenth century; An Epoch of Typographic Genius ; Graphic design of the rococo era; Caslon and Baskerville; The origins of information graphics; The imperial designs of Louis René Luce; The modern style; The illuminated printing of William Blake; The epoch closes |
Part III The Bridge to the Twentieth CenturyThe Industrial Revolution: The impact of industrial technology upon visual communications ; Graphic Design and the Industrial Revolution ; Innovations in typography; The wood-type poster; A revolution in printing; The mechanization of typography; Photography, the new communications tool; The inventors of photography; The application of photography to printing; Defining the medium; Photography as reportage; Popular graphics of the Victorian era; The development of lithography; The Boston school of chromolithography |
The design language of chromolithographyThe battle on the signboards; Images for children; The rise of American editorial and advertising design; Victorian typography; The Arts and Crafts Movement and Its Heritage; The Century Guild; The Kelmscott Press; The private press movement; A book-design renaissance; Art Nouveau; The influence of ukiyo-e; Art nouveau; Chéret and Grasset; English art nouveau; The further development of French art nouveau; Art nouveau comes to America; Innovation in Belgium and the Netherlands; The German Jugendstil movement; The Italian pictorial tradition |
The Genesis of Twentieth-Century Design |
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