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1. |
Record Nr. |
UNINA9910798390503321 |
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Titolo |
European memories of the Second World War / / edited by Helmut Peitsch, Charles Burdett, and Claire Gorrara |
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Pubbl/distr/stampa |
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New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2006 |
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©1999 |
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ISBN |
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1-57181-936-3 |
1-84545-158-9 |
1-78238-963-6 |
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Edizione |
[First paperback edition.] |
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Descrizione fisica |
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1 online resource (368 p.) |
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Disciplina |
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Soggetti |
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World War, 1939-1945 - Literature and the war |
German literature - 20th century - History and criticism |
French literature - 20th century - History and criticism |
Italian literature - 20th century - History and criticism |
War stories - History and criticism |
Autobiography |
World War, 1939-1945 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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EUROPEAN MEMORIES OF THE SECOND WORLD WAR; CONTENTS; PREFACE; INTRODUCTION; PART I. THE GERMAN SOLDIER'S MEMORY; 1. PRIVATE AND PUBLIC FILTERS: MEMORIES OF WAR IN HEINRICH BÖLL'S FICTION AND NONFICTION; PART II. THE RESISTANCE MEMORY; 2. ORDINARY HEROINES: RESISTANCE AND ROMANCE IN THE WAR FICTION OF ELSA TRIOLET; 3. 'THIS BOOK DOES NOT WANT TO BE A WORK OF ART. THIS BOOK IS TRUTH. 'THE DIARIES OF RUTH ANDREAS-FRIEDRICH; 4. A WOMAN'S PERSPECTIVE: AUTOBIOGRAPHY AND HISTORY IN GIOVANNA ZANGRANDI'S RESISTANCE NARRATIVES; The Male Resister |
5. VERCORS - WRITING THE UNSPEAKABLE: FROM LE SILENCE DE LA MER (1942) TO LA PUISSANCE DU JOUR (1951)6. 'A HISTORY FULL OF HOLES'? FRANCE AND THE FRENCH RESISTANCE IN THE WORK OF STEPHAN HERMLIN; 7. WAR, CIVIL WAR AND THE PROBLEM OF VIOLENCE |
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IN CALVINO AND PAVESE; 8. IMAGINING LOSERS IN BUFALINO'S DICERIA DELL'UNTORE; PART III. THE FASCIST'S MEMORY; 9. MEMORY AND CHRONICLE: LOUIS-FERDINAND CÉLINE AND THE D'UN CHÂTEAU L'AUTRE TRILOGY; 10. PORTRAIT OF THE POET AS A DEAD MAN. ERNST JÜNGER'S WRITING IN THE SECOND WORLD WAR: STRAHLUNGEN |
11. CHANGING IDENTITIES THROUGH MEMORY: MALAPARTE'S SELF-FIGURATIONS IN KAPUTTPART IV. THE VICTIM'S MEMORY; 12. REVIEWING MEMORY: WIESEL, TESTIMONY AND SELF-READING; 13. PRIMO LEVI. THE DUTY OF MEMORY; 14. LA DOULEUR: DURAS, AMNESIA AND DESIRE; 15. MYTH, MEMORY, TESTIMONY, JEWISHNESS IN GRETE WEIL'S MEINE SCHWESTER ANTIGONE; PART V. THE MEDIA OF MEMORY: MAY 1968 AND CINEMA; 16. L'ARMÉE DES OMBRES AND LE CHAGRIN ET LA PITIÉ: RECONFIGURATIONS OF LAW, LEGALITIES AND THE STATE IN POST-1968 FRANCE; 17. ALEXANDER KLUGE:GERMANY - AN EXPERIENCE OF WORDS AND IMAGES |
18. FASCISM AND ANTI-FASCISM REVIEWED: GENERATIONS, HISTORY AND FILM IN ITALY AFTER 1968PART VI. WOMEN'S WRITING AND THE QUEST FOR THE FATHER; 19. REMEMBERING THE COLLABORATING FATHER IN MARIE CHAIX'S LES LAURIERS DU LAC DE CONSTANCE AND EVELYNE LE GARREC'S LA RIVE ALLEMANDE; 20. SEEING THE FATHER: MEMORY AND IDENTITY CONSTRUCTION IN ELISABETH PLESSEN'S MITTEILUNG AN DEN ADEL; 21. INTIMATIONS OF PATRIARCHY: MEMORIES OF WARTIME JAPAN INDACIA MARAINI'S BAGHERIA; PART VII. A CHILD'S MEMORY; 22. A CHILD IN TIME: PATRICK MODIANO AND THE MEMORY OF THE OCCUPATION |
23. CHILDHOOD MEMORY AND MORAL RESPONSIBILITY: CHRISTA WOLF'S KINDHEITSMUSTER24. STRATEGIES FOR REMEMBERING: AUSCHWITZ, MOTHER AND WRITING IN EDITH BRUCK; PART VIII. AFTER THE COLD WAR: EUROPEAN LITERATURE AND THE POLITICS OF MEMORY; 25. TRAUMA AND ABSENCE; 26. NONRATIONAL DISCOURSE IN A WORK OF REASON: PETER WEISS'S ANTI-FASCIST NOVEL DIE ÄSTHETIK DES WIDERSTANDS; 27. FIFTY YEARS ON: GERMAN CHILDREN OF THE WAR REMEMBER; 28. MEMORIES OF RESISTANCE, RESISTANCES OF MEMORY; NOTES ON CONTRIBUTORS; BIBLIOGRAPHY; INDEX |
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Sommario/riassunto |
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During the fifty years since the end of hostilities, European literary memories of the war have undergone considerable change, influenced by the personal experiences of writers as well as changing political, social, and cultural factors. This volume examines changing ways of remembering the war in the literatures of France, Germany, and Italy; changes in the subject of memory, and in the relations between fiction, autobiography, and documentary, with the focus being on the extent to which shared European memories of the war have been constructed. |
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2. |
Record Nr. |
UNINA9910780645003321 |
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Autore |
Rojas Fernando de <d. 1541.> |
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Titolo |
Celestina [[electronic resource] /] / Fernando Rojas ; translated from the Spanish by Margaret Sayers Peden ; edited and with an introduction by Roberto González Echevarría |
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Pubbl/distr/stampa |
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New Haven, : Yale University Press, c2009 |
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ISBN |
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1-282-35227-X |
9786612352270 |
0-300-15619-7 |
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Descrizione fisica |
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1 online resource (281 p.) |
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Collana |
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Margellos world republic of letters |
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Altri autori (Persone) |
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PedenMargaret Sayers |
González EchevarríaRoberto |
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Disciplina |
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Soggetti |
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Spanish literature |
Spanish drama |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter -- Contents -- Translator's Note -- Acknowledgments -- Introduction -- Celestina. Text -- Bibliography |
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Sommario/riassunto |
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A timeless story of love, morality, and tragedy, Fernando de Rojas's Celestina is a classic of Spanish literature. Second only to Don Quixote in its cultural importance, Rojas's dramatic dialogue presents the elaborate tale of a star-crossed courtship between the young nobleman Calisto and the beautiful maiden Melibea in fifteenth-century Spain. Their unforgettable saga plays out in vibrant exchanges, presented here in a brilliant new translation by award-winning translator Margaret Sayers Peden. After a chance encounter with Melibea leaves Calisto entranced by her charms, he enlists the services of Celestina, an aged prostitute, madam, and procuress, to arrange another meeting. She promptly seizes control of the affair, guiding it through a series of mishaps before it meets its tragic end. At times a comic character and at others a self-assertive promoter of women's sexual license, Celestina is an inimitable personality with a surprisingly modern consciousness, certain to be relished by a new generation of readers. |
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