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Record Nr. |
UNINA9910787557703321 |
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Autore |
Berrigan Ted |
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Titolo |
The selected poems of Ted Berrigan [[electronic resource] /] / edited by Alice Notley, Anselm Berrigan, and Edmund Berrigan |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, 2011 |
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ISBN |
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0-520-94814-9 |
1-283-27743-3 |
9786613277435 |
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Descrizione fisica |
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1 online resource (255 p.) |
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Altri autori (Persone) |
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BerriganAnselm |
BerriganEdmund <1974-> |
NotleyAlice <1945-> |
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Disciplina |
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Soggetti |
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American poetry - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction -- Chapter I -- From The Sonnets -- From The Sonnets -- From A Certain Slant Of Sunlight -- Chronology -- Notes -- Index of Titles and First Lines |
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Sommario/riassunto |
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Following the highly acclaimed Collected Poems of Ted Berrigan, poets Alice Notley, Anselm Berrigan, and Edmund Berrigan have collaborated again on this new selection of poems by one of the most influential and admired poets of his generation. Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially The Sonnets, but this selection encompasses his full poetic output, including the later sequences Easter Monday and A Certain Slant of Sunlight, as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer. Praise for The Collected Poems of Ted |
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Berrigan: "This is a great, great book for all seasons of the mind and heart."-Robert Creeley "Thanks to this invaluable Collected Poems, one can hear, as never before, Ted Berrigan dreaming his dream." -The Nation "The Collected Poems of Ted Berrigan is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" -Bloomsbury Review "It's a must-have, a poetic knockout."-Time Out New York |
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2. |
Record Nr. |
UNINA9910798264103321 |
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Autore |
Grigor Talinn <1972-> |
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Titolo |
Contemporary Iranian art : from the street to the studio / / Talinn Grigor |
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Pubbl/distr/stampa |
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London, England : , : Reaktion Books, , 2014 |
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©2014 |
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ISBN |
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1780233094 |
9781780233093 |
1780232705 |
9781780232706 |
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Descrizione fisica |
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1 online resource (295 p.) : illustrations, portraits, photographs |
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Disciplina |
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Soggetti |
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Art, Iranian - 20th century |
Art, Iranian - 21st century |
Iran In art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Prologue – The studio – The exile – Epilogue. |
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Sommario/riassunto |
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"The art world has recently witnessed a surge of interest in contemporary Iranian art, but what is the background to Iran's vibrant art scene? This is the first comprehensive book on Iranian art and visual culture since the 1979 revolution. Divided into three parts – street, studio and exile – it covers official art sponsored by the Islamic |
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Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within the Western art scene. Grigor argues that these different areas of artistic production cannot be fully understood independently, for it is not despite censorship and exile that we are witnessing a boom in Iranian art today, as many have argued, but because of them. Moving between subversive and daring art produced in private to propaganda art made in the public view, this book offers an artistic mirror of the socio-political turmoil that has marked Iran's recent history. The author explores the world of galleries, museums, curators and art critics alongside a discussion of artists and their work, ranging from propaganda murals and martyrdom paraphernalia to avant-garde paintings and museum interiors. Grigor raises such topics as the cross-pollination of kitsch and avant-garde, the art market, state censorship, public–private domains, the political implications of art and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, Contemporary Iranian Art is essential reading for anyone interested in art today and in Iran's recent history." -- Publisher's description. |
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