La politica ecclesiastica italiana da Villafranca a Porta Pia : la crisi religiosa del Risorgimento / Stefano Jacini

• Record Nr.: UNISALENTO991002737009707536
• Autore: Jacini, Stefano
• Pubbl/distr/stampa: Bari : Gius. Laterza & Figli., 1938
• Descrizione fisica: 517 p. ; 20 cm
• Disciplina: 322.1094
• Soggetti: Italia - Politica ecclesiastica; Questione romana
• Lingua di pubblicazione: Italiano
• Formato: Materiale a stampa
• Livello bibliografico: Monografia

China's encounter with global Hollywood : cultural policy and the film industry, 1994-2013 / / Wendy Su

• Record Nr.: UNINA9910798255703321
• Autore: Su Wendy
• Pubbl/distr/stampa: Lexington : , : University Press of Kentucky, , [2016]; ©2016
• ISBN: 0-8131-6709-4; 0-8131-6707-8; 0-8131-6708-6
• Descrizione fisica: 1 online resource (243 p.)
• Collana: Asia in the new millennium
• Disciplina: 791.430951
• Soggetti: Motion picture industry - China - History - 21st century; Motion pictures - Political aspects - China - History and criticism; Motion pictures industry - United States - History - 21st century
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Introduction -- Cultural policy as negotiation of power: the Chinese state's role and strategies in its tug-of-war with global Hollywood -- The debate about Hollywood -- The film industry as negotiation of space -- Artistic and critical cinema under a triple threat: marketization, Hollywoodization, and state censorship -- Chinese martial arts cinema in the twenty-first century: hybridity and soft power -- Conclusion: the Chinese state, Hollywood, and postsocialist modernity.
• Sommario/riassunto: This work explores the global-local interplay through the case study of the People's Republic of China's encounter with global Hollywood from the mid-1990s to 2013. It analyzes the changing role of the Chinese state and its evolving cultural policy; investigates the intertwined relationships among the Chinese state, global capital, and local dynamics; and examines the impact of this encounter on the Chinese film sector's radical transformation from a Soviet-style planned economy and state ownership model to a market-oriented cultural industry.