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1. |
Record Nr. |
UNINA9910798020303321 |
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Autore |
Cook Peter |
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Titolo |
Leading innovation, creativity and enterprise / / Peter Cook |
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Pubbl/distr/stampa |
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London : , : Bloomsbury Information, , 2016 |
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ISBN |
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1-4729-2540-8 |
1-4729-2541-6 |
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Descrizione fisica |
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1 online resource (xii,244 p.) |
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Classificazione |
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Soggetti |
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Leadership |
Technological innovations - Management |
Creative ability in business |
Business enterprises |
Business enterprises - Technological innovations |
Industrial management |
Entrepreneurship |
innovation |
entrepreneurship |
management |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover page; Halftitle page; Title page; Copyright page; Dedication; Contents; Acknowledgements; Introduction; Part One: Innovation, creativity and you; Part Two: Innovation, creativity and enterprise; Part One Innovation, creativity and you; Chapter 1 The roots of creativity; Farming, information, creativity and innovation; Roots and shoots of creativity; Naturally occurring creativity strategies; Combinatorial creativity; Reflections; Chapter 2 Creativity and you; Psyche, bile and skulls; Four P's of creativity; Psyche-metric; Mindfulness, thinking and decision-making |
Removing obstacles to creativityReflections; Chapter 3 Creative leadership; A brief leadership history lesson; Roots of leadership; Power consumption; Responsible leadership; Strategies and tools for leaders; Reflections; Chapter 4 Tools for creativity; Why brainstorming doesn't |
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work; Diverging with flair; Converging with care; Strategies for innovation and creativity; Developing mastery; Reflections; Chapter 5 The F word: Failure and success; F2L not F2F; Personal factors; Institutionalised innovation; Entrepreneurship, failure and success; Seven habits of highly successful failures |
Part Two Innovation, creativity and enterpriseChapter 6 Innovation and enterprise; It's the end of the world as weknow it . . .; From the abacus to calculus and papyrus; The bare necessities; Posture to prosper; Unblocking the innovation pipeline; Reflections; Chapter 7 Building an innovation culture; Cultivating cultures not cults; Cultures and all that jazz; Stuck on you; The gods of culture; Myth management; Clash of the Titans; Reflections; Chapter 8 Structuring for innovation; The math is not the territory; The mathematics of organisation; The biology of organisation; Designed for life |
Structural archetypesNovel structural forms; Non-structural reforms; Reflections; Chapter 9 Developing innovation capacity and capability; To make or buy?; Climate change; Supporting innovation and creativity; Financing innovation; Reflections; Chapter 10 Becoming a true learning enterprise; Changing change management; The mathematics of change; The biology of change; OD not Oh Dear - The Wisdom of Change; Anatomy of learning organisations; Reflections; Bibliography; Index |
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Sommario/riassunto |
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Drawing upon cutting edge research from academia but expressed clearly and concisely for the busy person seeking practical inspiration, Leading Innovation, Creativity and Enterprise will feature numerous case examples from companies such as Virgin, Pfizer, Roche and Fuji Film. The book deals with questions such as: What are the roots of creativity and imagination? · How can we create the physiological and mental states under which creativity happens naturally rather than having to rely on creative thinking tools? · What kind of leadership is required to make creativity and innovation business as usual behaviours in your enterprise? · What is the role of technique in engendering creativity within teams? What are the most effective and reliable recipes for team based creativity? · What ensures that creativity turns into innovation? What stops it? In exploring these questions, the book will show you how to produce and lead creative teams, as well as build an innovative company culture. |
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2. |
Record Nr. |
UNIORUON00019381 |
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Titolo |
Afrikanskij Etnograficeskij Sbornik / AKademija Nauk S.S.S.R |
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Pubbl/distr/stampa |
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Leningrado, : Akademija Nauk S.S.S.R v. ; 27 cm Annuale |
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Descrizione fisica |
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Descrizione basata su: v.11(1978) |
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Classificazione |
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RU |
DONO |
PERIODICI NON ATTIVI |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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3. |
Record Nr. |
UNINA9910372803203321 |
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Autore |
Käufer Birgit <p>Birgit Käufer, Deutschland </p> |
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Titolo |
Die Obsession der Puppe in der Fotografie : Hans Bellmer, Pierre Molinier, Cindy Sherman / Birgit Käufer |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2015 |
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2015, c2006 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Kultur- und Medientheorie |
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Classificazione |
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Disciplina |
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Soggetti |
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Puppe |
Photography |
Fotografie |
Arts |
Hans Bellmer |
Art History of the 20th Century |
Art History of the 21st Century |
Pierre Molinier |
Cindy Sherman |
Body |
Kunst |
Fine Arts |
Kunstgeschichte des 20. Jahrhunderts |
Kunstgeschichte des 21. Jahrhunderts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter 1 INHALT 5 DANKSAGUNG 7 TRUE BODIES? VON DER SUCHE NACH DEM ECHTEN KÖRPER UND DEM FINDEN DER KUNSTFIGUR 9 PUPPE - FOTOGRAFIE - GESCHLECHT: EINE VERBINDUNG DER UNHEIMLICHEN ART 23 HANS BELLMER 43 PIERRE MOLINIER 145 CINDY SHERMAN 209 ALTE MEDIEN - ZWEIFELHAFTE KÖRPER - UND DIE UTOPIE VON DER DIGITALEN REVOLUTION 293 LITERATURVERZEICHNIS 299 ABBILDUNGSVERZEICHNIS 317 Backmatter 329 |
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Sommario/riassunto |
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Künstliches Geschlechtswesen oder Geschöpf aus Fleisch und Blut?Diese Verunsicherung, die Fotografien geschlechtlich ausgestatteter Puppen evozieren können, resultiert aus dem Prinzip der Verdopplung: Die Puppe ist unser Doppelgänger, die Fotografie entsteht als indexikalische Lichtspur der »Wirklichkeit« und das Geschlecht ist Effekt performativer Wiederholungen. Aufgrund ihrer strukturellen Analogien ziehen sich alle drei Instanzen regelrecht an und potenzieren sich in ihrer unheimlichen Qualität. Denn jedes Double verfügt über das Potential, vertraute Vorstellungen zu bestätigen und in Frage zu stellen. Die fotografierte Puppe scheint den authentischen Körper bzw. das Geschlecht zu präsentieren und führt gleichzeitig beides als Artefakt vor. Auf der Suche nach dem echten Körper treffen wir nur auf seinen Stellvertreter. In diesem Wechsel zwischen wahr und falsch wird das fotografische Puppenbild gleichsam zur aktiven Instanz, die uns unsere Erwartungshaltung und Wahrnehmungsmuster vorführt.Die Analyse der fotografischen Arbeiten Hans Bellmers, Pierre Moliniers und Cindy Shermans spürt den Obsessionen der Puppe nach, die Künstler/innen wie Betrachter/innen nicht mehr loslässt. |
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