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Record Nr. |
UNINA9910797931503321 |
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Autore |
Rozik Eli |
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Titolo |
Future theatre research : origin, medium, performance-text, reception and acting / / Eli Rozik |
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Pubbl/distr/stampa |
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Brighton ; ; Chicago : , : Sussex Academic Press, , 2016 |
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ISBN |
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Descrizione fisica |
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1 online resource (327 p.) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Cover; Dedication; Title Page; Copyright; Contents; Preface and Acknowledgements; Introduction: Theatre Medium; 1 Basic Iconic Units; Imagistic definition of 'iconicity'; Basic iconic units; Real objects on stage; Part I Iconic Figures of Speech; 2 Stage Metaphor; Verbal Metaphor; Iconic metaphor; Imagistic metaphor; Stage symbol; 3 Theatre Experience as Metaphor; Stage metaphor; Metaphoric fictional world; Paradox of double reference; Mechanism of textual metaphor; Sophocles' Oedipus the King; García Lorca's Yerma; 4 Stage Allegory; Metaphoric stage allegory |
Interpreting stage allegoryMixing praxical and allegoric features; Mixed metaphor in allegoric texts; 5 Speech-Act Stage Metaphor; Ionesco's Exit the King; Speech-act metaphor on stage; The predicate 'is a metaphor'; Stylistic implications; 6 Set and Costume Metaphor; Metaphoric experience; Set and costume metaphor; Five basic models; Set and costume mixed metaphor; Part II Stage Conventionality; 7 Stage Conventions; Notion of 'stage convention'; Kinds of stage conventions; Functions of stage conventions; Ironic conventions; Aesthetic conventions; Theatre norms |
8 The Chorus: Matrix of Stage ConventionsDramatic chorus; Dithyrambic storytelling; Bacchylides' Theseus Dive; Nature of dithyramb; 9 Lady Macbeth: In the Making of a Tragic Hero; Confidant convention; Lady Macbeth as confidant; Confidential motifs; Lady Macbeth's transfiguration; Poetic implications; 10 Functions of Language in Theatre; Ingarden's approach; Ingarden's functions of |
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