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1. |
Record Nr. |
UNINA9910463747303321 |
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Autore |
Baumann Stefan |
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Titolo |
The intonation of givenness : evidence from German / / Stefan Baumann |
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Pubbl/distr/stampa |
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Tübingen : , : Niemeyer, , 2006 |
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ISBN |
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Edizione |
[Reprint 2012] |
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Descrizione fisica |
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1 online resource (197 p.) |
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Collana |
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Linguistische Arbeiten, , 0344-6727 ; ; 508 |
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Disciplina |
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Soggetti |
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Intonation (Phonetics) |
German language - Intonation |
Discourse analysis |
Semantics |
Pragmatics |
Cognition |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally presented as the author's thesis (doctoral)--Universität, Saarbrücken, 2005. |
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Nota di bibliografia |
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Includes bibliographical references (pages 167-181). |
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Nota di contenuto |
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Front matter -- Acknowledgements -- Contents -- 1 Introduction -- 2 Theoretical Background -- 3 Corpus Analysis -- 4 Experiments -- 5 A Model of Intonation and Givenness -- 6 Summary and Outlook -- Bibliography -- Lebenslauf |
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Sommario/riassunto |
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This book addresses students and researchers of both phonetics and phonology, and the semantics and pragmatics of discourse. It employs an autosegmental-metrical model of intonation to investigate the marking of aspects of information structure, concentrating on the Given-New dimension. It begins with an overview of the state of the art in the areas of intonation and information structure, and, since the term 'Givenness' has been used in the literature in diverging ways, provides a model of 'Givenness proper', focusing on the cognitive states of discourse referents, and how these states are expressed through the choice of words and their prosody. The empirical evidence provided here is based on German. It comprises the analysis of a read corpus and two perception experiments which show that the dichotomy |
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of 'accented' versus 'unaccented' corresponding to 'New' versus 'Given' information is inadequate. In fact, there is evidence that a range of pitch accent types (including deaccentuation) can be mapped onto the gradient scale of Givenness degrees, with the pitch height on the accented syllable being the determining factor. |
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2. |
Record Nr. |
UNINA9910797853503321 |
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Autore |
Conway Kelley |
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Titolo |
Agnès Varda / / Kelley Conway |
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Pubbl/distr/stampa |
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Urbana, [Illinois] : , : University of Illinois Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (209 p.) |
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Collana |
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Contemporary Film Directors |
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Disciplina |
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Soggetti |
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Motion pictures - France |
France |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes filmography, bibliographical references and index. |
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Nota di contenuto |
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New wave cineaste to digital gleaner : change and continuity in the work of Agnes Varda -- Planning and precision : La pointe courte -- Structure and digression : the early short documentaries -- Cultivating the new wave spectator : Cleo from 5 to 7 -- Improvisation and formal patterning : Vagabond -- Social criticism and the self-portrait : The gleaners and I -- From cinema to the gallery : Patatutopia and L'île et elle -- Looking backward, moving forward : The beaches of Agnes -- Conclusion -- Interview. |
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Sommario/riassunto |
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Both a precursor to and a critical member of the French New Wave, Agnes Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte |
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through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnes . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she explores the artistic consistencies and bold changes in Varda's career and reveals how one woman charted a nontraditional trajectory through independent filmmaking. |
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3. |
Record Nr. |
UNISA996203956003316 |
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Titolo |
Chiropractic & manual therapies |
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Pubbl/distr/stampa |
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London, : BioMed Central, 2011- |
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ISSN |
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Soggetti |
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Chiropractic |
Osteopathic medicine |
Manipulation (Therapeutics) |
Musculoskeletal system - Diseases |
Manipulation, Chiropractic |
Manipulation, Osteopathic |
Osteopathic Medicine |
Fulltext |
Internet Resources. |
Periodicals. |
Periodical |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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