| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910797693703321 |
|
|
Titolo |
'Disciples of flora' : gardens in history and culture / / edited by Victoria Emma Pagán, Judith W. Page and Brigitte Weltman-Aron |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2015 |
|
©2015 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (205 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Gardens - History |
Gardens in art |
Gardens - Social aspects |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references at the end of each chapters and index. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
'Disciples of Flora' explores, through a variety of approaches, disciplines, and historical periods, the place and vitality of gardens as cultural objects, repositories of meaning, and sites for the construction of identity and subjectivity; gardens being an eminent locus where culture and nature meet. This collection of essays contributes to a revision of histories of gardens by broadening the scope of scholarly inquiry to include a long history from ancient Rome to the present, in which contesting memories delineate new apprehensions of topography and space. The contributors draw attention t |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910780326203321 |
|
|
Autore |
Harris Max <1949-> |
|
|
Titolo |
Aztecs, Moors, and Christians : festivals of reconquest in Mexico and Spain / / Max Harris |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Austin : , : University of Texas Press, , 2000 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[First edition.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (x, 309 pages) : illustrations |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Moros y Cristianos Festival - Mexico |
Moros y Cristianos Festival - Spain |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. 281-298) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Contents -- Acknowledgments -- List of illustrations -- Part one Prologue -- 1 Beheading the Moor (Zacatecas, 1996) -- 2 Reading the Mask (Cuetzalan, 1988) -- Part two Spain, 1150 –1521 -- 3 A Royal Wedding (Lleida, 1150) -- 4 A Medley of Battles (Zaragoza, 1286 –1414) -- 5 A Martyrdom with Hobby Horses (Barcelona, 1424) -- 6 A Game of Canes ( Jaén, 1462) -- Part three Mexico, 1321–1521 -- 7 The Fields of the Wars of Flowers -- 8 The Festival of the Sweeping of the Roads -- 9 The Festival of the Raising of the Banners -- 10 The Festival of the Flaying of Men -- 11 The Dance of the Emperor Motecuzoma -- Part four Mexico, 1521–1600 -- 12 The Conquest of Mexico (1524 –1536) -- 13 The Conquest of Rhodes (Mexico City, 1539) -- 14 The Conquest of Jerusalem (Tlaxcala, 1539) -- 15 The Tensions of Empire (Mexico City, 1565 –1595) -- 16 The Travels of Alonso Ponce (New Spain, 1584 –1589) -- 17 The Conquest of New Mexico (1598) -- Part five Spain, 1521–1600 -- 18 Touring Aztecs (1522–1529) -- 19 Royal Entries (Toledo, 1533, and Naples, 1543) -- 20 Great Balls of Fire (Trent, 1549) -- 21 Noble Fantasies (Binche, 1549, and Rouen, 1550) -- 22 Fêted Dreams of Peace (Andalusia, 1561–1571) -- 23 Changing Tastes (Daroca to Valencia, 1585 –1586) -- 24 Gilded Indians (1521–1600) -- Part six Epilogue -- 25 Dancing with Malinche (New Mexico and Oaxaca, 1993 –1994) -- Notes -- Bibliography -- Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In villages and towns across Spain and its former New World colonies, |
|
|
|
|
|
|
|
|
local performers stage mock battles between Spanish Christians and Moors or Aztecs that range from brief sword dances to massive street theatre lasting several days. The festival tradition officially celebrates the triumph of Spanish Catholicism over its enemies, yet this does not explain its persistence for more than five hundred years nor its widespread diffusion. In this insightful book, Max Harris seeks to understand Mexicans' "puzzling and enduring passion" for festivals of moros y cristianos. He begins by tracing the performances' roots in medieval Spain and showing how they came to be superimposed on the mock battles that had been a part of pre-contact Aztec calendar rituals. Then using James Scott's distinction between "public" and "hidden transcripts," he reveals how, in the hands of folk and indigenous performers, these spectacles of conquest became prophecies of the eventual reconquest of Mexico by the defeated Aztec peoples. Even today, as lively descriptions of current festivals make plain, they remain a remarkably sophisticated vehicle for the communal expression of dissent. |
|
|
|
|
|
| |