Corporate & investment banking / Giancarlo Forestieri

• Record Nr.: UNISA996265749103316
• Autore: FORESTIERI, Giancarlo
• Pubbl/distr/stampa: Milano : EGEA, 2015
• ISBN: 978-88-238-3474-3
• Edizione: [3. ed]
• Descrizione fisica: XVIII, 348 p. ; 24 cm
• Collana: Reference
• Disciplina: 332.66
• Soggetti: Banche - Investimenti
• Collocazione: 332.66 COR 2
• Lingua di pubblicazione: Italiano
• Formato: Materiale a stampa
• Livello bibliografico: Monografia

Material explorations in African archaeology / / Timothy Insoll

• Record Nr.: UNINA9910797661203321
• Autore: Insoll Timothy
• Pubbl/distr/stampa: New York, NY : , : Oxford University Press, , 2015
• ISBN: 0-19-106222-7
• Edizione: [First edition.]
• Descrizione fisica: 1 online resource (488 p.)
• Disciplina: 960/.1
• Soggetti: Archaeology - Africa - History; Africa Antiquities
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Cover ; Material Explorations in African Archaeology ; Copyright ; Dedication ; Acknowledgements; Contents; List of Illustrations; List of Tables ; 1: Introduction: Material Explorations in African Archaeology ; 1.1 RATIONALE; 1.2 MATERIAL EXPLORATIONS; 1.2.1 Materiality; 1.2.2 Agency; 1.2.3 Relational Archaeology, Entanglement, and Bundling ; 1.3 RECURRING THEMES; 1.3.1 Memory; 1.3.2 Anomaly and the Exotic; 1.3.3 Metaphor and Metonym; 1.4 CONTENTS; 2: Bodies and Persons ; 2.1 INTRODUCTION; 2.2 THE CARVED BODY; 2.2.1 Scarification and Cicatrization; 2.2.2 Archaeological Implications of Scarification and Cicatrization 2.2.3 Dental Modification; 2.2.4 Lip and Other Piercing; 2.3 THE DECORATED BODY; 2.3.1 Body-Painting; 2.3.2 Hair-Styles; 2.3.3 Beads and Cowry Shells; 2.4 FIGURINES, BODIES, AGENCY, AND POWER; 2.4.1 Anomaly; 2.4.2 Internal Bodies and Figurine Agency; 2.4.3 Figurines as 'Fetishes'/Power Objects; 2.5 FIGURINES, FRAGMENTATION, AND PERSONHOOD ; 2.6 HUMAN BODY PARTS, HUMAN SACRIFICE, AND CANNIBALISM ; 2.7 HUMAN LIFE CYCLE; 2.7.1 The Archaeology of Birth, Infancy, and Childhood; 2.7.1.1 Birth; 2.7.1.2 Childhood; 2.7.2 The Archaeology of Initiation2.7.2.1 Location and Structures; 2.7.2.2 Figurines; 2.7.2.3 Rock Art and Initiation; 2.8 CONCLUSIONS; 3: The Dead and the Ancestors ; 3.1 INTRODUCTION; 3.2 ANTHROPOLOGICAL PERSPECTIVES ON ANCESTOR CONCEPTS IN SUB-SAHARAN AFRICA; 3.3 'GOOD' AND 'BAD' DEATH; 3.3.1 'Good' Death; 3.3.2 'Bad' Death; 3.4 MIDDENS AND 'POT CHILDREN; 3.4.1 Middens; ; 3.4.2 'Pot Children'; 3.5 CONSTRUCTING ANCESTORS; 3.6 BURIAL; 3.7 GRAVE GOODS; 3.8 DESICCATION; 3.9 EXPOSURE; 3.10 TRANSFORMATIVE STATES; 3.11 SECONDARY TREATMENT; 3.12 CURATION; 3.12.1 Wrapping; 3.12.2 Comparative Wrapping3.12.3 Curation of Teeth; 3.13 SKULL CURATION AND TREATMENT; 3.13.1 Why Skulls?; 3.13.2 Skulls, Ritual, and Fragmentation; 3.14 ANCESTORS AND THE LIVING; 3.15 CONCLUSIONS; 4: Animals ; 4.1 INTRODUCTION; 4.2 THE SIGNIFICANCE OF ANIMALS; 4.3 THE CULTURAL APPROPRIATION OF ANIMALS; 4.3.1 Perception, Metaphor, Metonym; 4.3.2 'Totem' and Taboo; 4.3.3 Anomaly; 4.3.4 Protective and Efficacious Properties; 4.3.5 Mythological Focus; 4.3.5.1 The Hippopotamus and the Songhai; 4.3.5.2 An Alternative Interpretation?; 4.4 THE TRANSFORMATION OF ANIMALS; 4.4.1 Sacrifice; 4.4.1.1 Definition4.4.1.2 Sacrificial Division; 4.4.1.3 The Archaeology of Animal Sacrifice; 4.4.2 Animal (Cattle) Modification; 4.4.3 Archaeological Implications of Animal Modification; 4.5 CONCLUSIONS; 5: Stone ; 5.1 INTRODUCTION; 5.2 STANDING STONES AND MEGALITHIC STRUCTURES ; 5.2.1 Distribution; 5.2.2 Standing Stones, Megalithic Structures, Ancestors, and the Dead ; 5.2.2.1 Stone and the Dead; 5.2.2.2 Stones as Ancestors; 5.2.3 Standing Stones and the Living; 5.2.4 Standing Stones as Utilitarian Phenomena; 5.3 RAIN-MAKING AND RAIN-STONES; 5.4 UNUSUAL PROPERTIES, FORMS, AND QUALITIES OF STONE

The ends of satire : legacies of satire in postwar German writing / / Daniel Bowles

• Record Nr.: UNINA9910819455103321
• Autore: Bowles Daniel James <1981->
• Pubbl/distr/stampa: Berlin ; ; Boston : , : De Gruyter, , [2015]; ©2015
• ISBN: 3-11-035953-7; 3-11-038684-4
• Descrizione fisica: 1 online resource (240 p.)
• Collana: Paradigms-- Literature and the human sciences ; ; volume 2
• Classificazione: GN 1701
• Disciplina: 837/.009
• Soggetti: Satire, German - History and criticism; German literature - 20th century - History and criticism
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Acknowledgments -- Introduction: Satire around 1800: Jean Paul -- Prolegomena -- The case of Jean Paul: unreadable writing, unwritable readings 16 -- Part One: Inversion -- The carnivalesque in Mikhail Bakhtin's Rabelais and his World (1965) -- Perspective and repetition in Thomas Bernhard's Woodcutters (1984) -- Destructive negativity: Thomas Bernhard and Extinction (1986) -- Part Two: Mythification -- Between theory and literature: Roland Barthes' Mythologies (1957) -- Elfriede Jelinek's Mythic Lust (1989) -- Viennese paradigms in Elfriede Jelinek's The Piano Teacher (1983) -- Part Three: Citation -- From stage to page: Judith Butler and Gender Trouble (1990) -- Performing theory in literature: Thomas Meinecke's Tomboy (1998) -- Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004) -- Conclusion: Satire after Satire.
• Sommario/riassunto: "How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory." --