1.

Record Nr.

UNINA990002854750403321

Autore

D'Amico, Eugenio

Titolo

La valutazione delle banche. Modelli perla determinazione del rischio, del tassodi sconto e del valore del capitaleeconomico / Eugenio D'Amico

Pubbl/distr/stampa

Torino, : Giappichelli, 1995

ISBN

88-348-4187-5

Descrizione fisica

252 p. ; 24 cm

Collana

Studi di ragioneria e di economia aziendale ; 11

Locazione

ECA

Collocazione

C2-P15-35-RA

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910797492503321

Titolo

Cultural legal studies : law's popular cultures and the metamorphosis of law / / edited by Cassandra Sharp and Marett Leiboff

Pubbl/distr/stampa

Abingdon, Oxon ; ; New York : , : Routledge, , 2016

ISBN

1-315-75515-7

1-317-62626-5

1-317-62625-7

Descrizione fisica

1 online resource (323 p.)

Classificazione

LAW000000LAW052000SOC022000

Altri autori (Persone)

LeiboffMarett

SharpCassandra

Disciplina

340/.115

Soggetti

Sociological jurisprudence

Culture and law

Law and literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references at the end of each chapters and index.

Nota di contenuto

Cover; Title; Copyright; Contents; List of figures; Preface; List of contributors; PART I Cultural legal studies - the urgency of method and story; 1 Cultural legal studies and law's popular cultures; 2 Cultural legal studies as law's extraversion; 3 Finding stories of justice in the art of conversation: ethnography in cultural legal studies; PART II Cultural legal studies as legal storytelling; 4 Interventions into the feeling of popular justice: Australia's Stolen Generations, the problem of sentimentality, and re-encountering the testimonial form

5 Border crossings: the transnational career of the television crime drama6 Theatre and the law in the twenty-first century; PART III Law's technologies and cultural legal studies; 7 Picturing justice in a fraught legal arena: fetuses, phantoms and mandatory ultrasounds; 8 Peeping: open justice and law's voyeurs; 9 The critical force of irony: reframing photographs in cultural legal studies; 10 Bodies, cinema, sovereignty: using visual culture methodologies to think about other ways that law might work; PART IV Cultural legal studies as jurisprudence

11 Popular culture's lex vampirica: the law of the undead in True Blood,



the Twilight saga and The Passage12 Reading the law made strange: cultural legal studies, theology and speculative fiction; 13 Republicanism meets (dystopian) faërie: Harry Potter and the institutional disaster; Index

Sommario/riassunto

"What can popular cultures offer law, as a basis for critical practice? This introduction to the 'cultural legal studies' movement takes up this question as it presents a new encounter with the 'cultural turn' in law and legal theory. Moving beyond the 'law ands' (literature, humanities, culture, film) on which it is based, cultural legal studies aims to metamorphose law and the legalities that underpin its popular imaginary. To this end, the collection brings together leading scholars from Australia, Canada, the United Kingdom, and the United States. Presenting a long-overdue identification and framing of its scope, methodologies and practice, and drawing on three different modes of cultural legal studies - storytelling, technology and jurisprudence - the collection showcases the intersectional practices of cultural legal studies and law in its popular cultural mode. In this respect, contributors to the collection deploy differentiated modes of cultural legal studies practice, adopting diverse philosophical, disciplinary, methodological and theoretical approaches and subjects of examination. The collection draws on this mix of diversity and homogeneity to argue that we must take seriously an interrogation of law as culture- that is, not asking how a text 'represents'law, but how the representational nature of both law and culture intersect: in short, how the 'juridical' becomes visible in various cultural forms and their technological manifestations, and so how law's popular cultures actively metamorphose law. "--