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1. |
Record Nr. |
UNINA9910467270503321 |
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Autore |
Munro Martin |
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Titolo |
Tropical apocalypse : Haiti and the Caribbean end times / / Martin Munro |
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Pubbl/distr/stampa |
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Charlottesville : , : University of Virginia Press, , [2015] |
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©2015 |
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Descrizione fisica |
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1 online resource (240 pages) |
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Collana |
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Disciplina |
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Soggetti |
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Haitian literature - 20th century - History and criticism |
Apocalypse in literature |
Apocalypse in motion pictures |
Religion - Haiti |
Psychic trauma - Caribbean Area |
Literature and history - Caribbean Area |
Electronic books. |
Haiti In literature |
Haiti Social conditions |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- The Duvaliers and apocalyptic memory -- Utopian ends: Aristide and the apocalypse -- The chimeres and the Haitian antihero -- Religion, nature, and the apocalypse -- Conclusion. |
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Sommario/riassunto |
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"This book offers both a history of apocalyptic culture in the Caribbean and an up-to-date account of the social, political, environmental, religious, and economic factors that have brought apocalypse back to prominence in the region" -- |
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2. |
Record Nr. |
UNINA9910797451203321 |
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Autore |
Berger Harry, Jr., <1924-2021, > |
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Titolo |
Harrying : skills of offense in Shakespeare's Henriad / / Harry Berger, Jr |
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Pubbl/distr/stampa |
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New York, [New York] : , : Fordham University Press, , 2015 |
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©2015 |
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ISBN |
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0-8232-6137-9 |
0-8232-5664-2 |
0-8232-5666-9 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (233 p.) |
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Disciplina |
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Soggetti |
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LITERARY CRITICISM / Shakespeare |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Front matter -- Contents -- Preface -- 1. Misanthropology in Richard III -- 2. “Here, Cousin, Seize the Crown” -- 3. Richard’s Soliloquy -- 4. On the Continuity of the Henriad -- 5. Falstaff and Harry -- 6. A Horse Named Cut -- 7. Hydra and Rhizome -- 8. Falstaff , Carnival, and the Perils of Speech-Prefixity -- 9. Interlude -- 10. The King’s Names -- 11. Rabbits, Ducks, Lions, Foxes -- 12. Harrying the Stage -- 13. Harry’s Question -- Notes |
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Sommario/riassunto |
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Harrying considers Richard III and the four plays of Shakespeare’s Henriad—Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Berger combines close reading with cultural analysis to show how the language characters speak always says more than the speakers mean to say. Shakespeare’s speakers try to say one thing. Their language says other things that often question the speakers’ motives or intentions. Harrying explores the effect of this linguistic mischief on the representation of all the Henriad’s major figures. It centers attention on the portrayal of Falstaff and on the bad faith that darkens the language and performance of Harry, the Prince of Wales who becomes King Henry V. |
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