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1. |
Record Nr. |
UNINA9910459400203321 |
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Titolo |
Quantification addendum [[electronic resource] ] : international medical guide for ships |
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Pubbl/distr/stampa |
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Geneva, Switzerland, : World Health Organization, 2010 |
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ISBN |
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1-282-89743-8 |
9786612897436 |
92-4-068562-6 |
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Edizione |
[3rd ed.] |
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Descrizione fisica |
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1 online resource (56 p.) |
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Disciplina |
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Soggetti |
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Medicine, Naval |
Ships - Sanitation |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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COVER; TITLE; COPYRIGHT; CONTENTS; 1. Background; 2. Scope of project; 3. Methods; 4. Results; 5. Proposed quantities of medicines for the third edition of the Guide; ANNEX 1; ANNEX 2; ANNEX 3; References |
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Sommario/riassunto |
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This volume contains recommended quantities, indications and dosing for 55 medicines listed in the ""International Medical Guide for Ships"" Third edition. The quantities are based on three types of ships: -ocean-going ships with crews of 25-40 and no doctor (Category A); -coastal ships with crews of up to 25 that travel no more than 24 hours from a port of call (Category B); and-small boats and private craft with crews of 15 or less, and usually travelling no more than a few hours from a port of call (Category C).These quantities have been updated to reflect the decrease of crew numbers on mo |
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2. |
Record Nr. |
UNINA9910797400703321 |
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Titolo |
Byzantium/modernism : the Byzantine as method in modernity / / edited by Roland Betancourt, Maria Taroutina |
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Pubbl/distr/stampa |
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Leiden, Netherlands ; ; Boston, Massachusetts : , : Brill, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (395 p.) |
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Collana |
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Visualising the Middle Ages, , 1874-0448 ; ; Volume 12 |
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Disciplina |
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Soggetti |
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Modernism (Aesthetics) |
Aesthetics, Byzantine |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical refererences and index. |
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Nota di contenuto |
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Preliminary Material -- Introduction: Byzantium and Modernism / Maria Taroutina -- 1 Modernism’s Byzantium Byzantium’s Modernism / Robert S. Nelson -- 2 Kazimir Malevich and the Liturgical Tradition of Eastern Christianity / Myroslava M. Mudrak -- 3 Arts and Crafts and the ‘Byzantine’: The Greek Connection / Dimitra Kotoula -- 4 Archaeology of Decadence: Uncovering Byzantium in Victorien Sardou’s Theodora / Elena N. Boeck -- 5 Abstraction’s Economy: Hagia Sophia in the Imaginary of Modern Architecture / Tulay Atak -- 6 Byzantine Architecture: A Moving Target? / Robert Ousterhout -- Introduction: The Slash as Method / Roland Betancourt -- 7 Byzantium and the Modernist Subject: The Case of Autobiographical Literature / Stratis Papaioannou -- 8 One Fish Two Fish Red Fish Blue Fish: Byzantine Visual Structures in the Light of Twentieth-Century Practice and Theory / Anthony Cutler -- 9 Iconicity of the Photographic Image: Theodore of Stoudios and André Bazin / Devin Singh -- 10 Tarkovsky: Embodying the Screen / Marie-José Mondzain -- 11 ‘Action-Paradise’ and ‘Readymade Reliquaries’: Eccentric Histories in/of Recent Russian Art / Jane A. Sharp -- 12 Lacan and Byzantine Art: In the Beginning was the Image / Rico Franses -- 13 Beyond Representation/The Gift of Sight / Charles Barber -- 14 We Have Never been Byzantine: On Analogy / Glenn Peers -- Select Bibliography / Roland Betancourt and Maria Taroutina -- Index / Roland Betancourt and Maria Taroutina. |
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Sommario/riassunto |
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Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh. |
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