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1. |
Record Nr. |
UNINA9910797396503321 |
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Autore |
Pracejus Bernhard |
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Titolo |
The ore minerals under the microscope : an optical guide / / Bernhard Pracejus, Sultan Qaboos University, Muscat, Oman |
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Pubbl/distr/stampa |
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Amsterdam : , : Elsevier, , [2015] |
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©2015 |
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ISBN |
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9786611911317 |
1-281-91131-3 |
0-08-093164-2 |
0-444-62737-5 |
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Edizione |
[Second edition.] |
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Descrizione fisica |
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1 online resource (1119 p.) |
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Collana |
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Atlases in Geoscience ; ; 3 |
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Disciplina |
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Soggetti |
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Ores - Optical properties |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Cover; The Ore Minerals Under the Microscope; Copyright; Table of Contents; Acknowledgements; Preface to the Second Edition; Explanations & Abbreviations; Textures; Magmatic Environments; Post-magmatic Environments; Post-magmatic Environments; Metamorphic Environments; Sedimentary Environments & Soils; Supergene Replacement; Biomineralisation; Optical Characteristics - Search Index; Mineral Descriptions; I - Elements; I/A - Metallic and Intermetallic Compounds, Carbides, Nitrides, Phosphides, and Silicides; Copper, native I/A.01-010; Silver, native I/A.01-020; Gold, native I/A.01-040 |
Auricupride I/A.01-050Moschellandsbergite I/A.02-030; Potarite I/A.02-090; Aluminium, native I/A.03-005; Cadmium, native I/A.04-040; Lead, native I/A.05-020; Iron, native I/A.07-010; Kamacite I/A.07-020; Wairauite I/A.07-030; Taenite I/A.08-020; Awaruite I/A.08-040; Cohenite I/A.09-050; Carlsbergite I/A.10-020; Sinoite I/A.10-050; Schreibersite I/A.11-020; Gupeiite I/A.12-030; Xifengite I/A.12-040; Fersilicite I/A.12-050; Hexaferrum I/A.13-015; Osmium I/A.13-020; Ruthenium I/A.13-030; Rutheniridosmine I/A.13-040; Iridium I/A.14-030; Platinum, native I/A.14-070; Hongshiite I/A.14-090 |
Isoferroplatinum I/A.15-010Tulameenite I/A.15-030; Atokite I/A.16- |
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020; Niggliite I/A.16-040; Stannopalladinite I/A.16-050; Palarstanide I/A.16-060; Plumbopalladinite I/A.16-070; Paolovite I/A.17-010; Cabriite I/A.17-020; Taimyrite I/A.17-030; Tatyanaite I/A.17-040; I/B - Semimetals and Nonmetals; Arsenic, native I/B.01-010; Stibarsen I/B.01-020; Antimony, native I/B.01-030; Bismuth, native I/B.01-040; Arsenolamprite I/B.01-050; Graphite I/B.02-010; Sulfur, native I/B.03-010; Selenium, native I/B.03-030; Tellurium, native I/B.03-040; Silicon, native I/B.05-010 |
I/X - Unclassified Strunz ElementsAmalgam I/X.00-000; II - Sulfides and Sulphosalts; II/A - Alloys and Alloy-like Compounds, with Copper, Silver, Gold, and Nickel; Algodonite II/A.01-010; Domeykite II/A.01-020; Koutekite II/A.01-050; Cuprostibite II/A.01-070; Allargentum II/A.02-010; Dyscrasite II/A.02-020; Maucherite II/A.04-030; Atheneite II/A.05-010; Arsenopalladinite II/A.05-040; Isomertieite II/A.05-050; Stibiopalladinite II/A.05-080; Palladodymite II/A.05-102; Rhodarsenide II/A.05-105; Chrisstanleyite II/A.06-030; Tischendorfite II/A.06-040; Telargpalite II/A.07-010 |
Keithconnite II/A.07-020Oulankaite II/A.07-035; Temagamite II/A.07-050; II/B - Sulfides with Metal : Sulfur, Selenium, and Tellurium > 1 : 1; Chalcocite II/B.01-010; Djurleite II/B.01-020; Digenite II/B.01-030; Anilite II/B.01-050; Betekhtinite II/B.02-010; Bornite II/B.02-030; Berzelianite II/B.03-010; Crookesite II/B.03-030; Umangite II/B.03-050; Weissite II/B.04-010; Rickardite II/B.04-020; Argentite II/B.05-002; Acanthite II/B.05-010; Naumannite II/B.05-030; Hessite II/B.05-040; Jalpaite II/B.06-010; Stromeyerite II/B.06-030; Eucairite II/B.06-040; Fischesserite II/B.07-050 |
Petzite II/B.07-060 |
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Sommario/riassunto |
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The Ore Minerals Under the Microscope: An Optical Guide, Second Edition, is a very detailed color atlas for ore/opaque minerals (ore microscopy), with a main emphasis on name and synonyms, short descriptions, mineral groups, chemical compositions, information on major formation environments, optical data, reflection color/shade comparison with four common/standard minerals of a similar color or grey shade, and up to five high-quality photos for each mineral with scale. In addition, the atlas contains a compilation from some of the prominent publications in the field of ore microscopy prese |
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2. |
Record Nr. |
UNINA9910971064203321 |
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Autore |
Waugh Thomas <1948-> |
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Titolo |
The fruit machine : twenty years of writings on queer cinema / / Thomas Waugh ; foreword by John Greyson |
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Pubbl/distr/stampa |
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Durham, : Duke University Press, 2000 |
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ISBN |
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9786612903809 |
9781282903807 |
1282903802 |
9780822380948 |
0822380943 |
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Descrizione fisica |
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1 online resource (327 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Homosexuality in motion pictures |
Homosexuality and motion pictures |
Gay motion picture producers and directors |
Homoseksualiteit |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based on print version record |
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Nota di bibliografia |
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Includes bibliographical references (p. [297]-298) and index. |
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Nota di contenuto |
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""Contents""; ""Foreword""; ""Acknowledgments""; ""Introduction""; ""Films by Gays for Gays: A Very Natural Thing, Word Is Out, and The Naked Civil Servant (1977)""; ""Gays, Straights, Film, and the Left: A Dialogue (with Chuck Kleinhans) (1977)""; ""Rainer Werner Fassbinder (1976-77)""; ""A Fag-Spotter's Guide to Eisenstein (1977)""; ""Derek Jarman's Sebastiane (1978)""; ""Medical Thrills: Born a Man . . . Let Me Die a Woman (1978-79)""; ""Murnau: The Films Behind the Man (1979)""; ""An Unromantic Fiction: I'm Not from Here, by Harvey Marks (1979)"" |
""The Gay Nineties, the Gay Seventies: Samperi's Ernesto and von Praunheim's Army of Lovers or Revolt of the Perverts (1979)""""Montgomery Clift Biographies: Stars and Sex (1979-8)""; ""Gay Cinema, Slick vs. Real: Chant d'amour, Army of Lovers, We Were One Man (1980)""; ""Nighthawks, by Ron Peck and Paul Hallam (1980)""; ""A Saturday Night Surprise: Burin des Roziers's Blue Jeans (1980)""; ""Caligula (1981)""; ""Taxis and Toilets: Ripploh and His Brothers |
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(1981)""; ""Bright Lights in the Night: Pasolini, Schroeter, and Others (1981)""; ""Patty Duke and Tasteful Dykes (1982)"" |
""Two Strong Entries, One Dramatic Exit: Luc ou la part des choses, Another Way, and Querelle (1982)""""Hollywood's Change of Heart? (Porky's and The Road Warrior) (1982)""; ""Dreams, Cruises, and Cuddles in Tel Aviv: Amos Gutmann's Nagua (1983)""; ""Hauling an Old Corpse Out of Hitchcock's Trunk: Rope (1983)""; ""Sex beyond Neon: Third World Gay Films? (1985)""; ""Fassbinder Fiction: A New Biography (1986)""; ""Ashes and Diamonds in the Year of the Queer: Decline of the American Empire, Anne Trister, A Virus Knows No Morals, and Man of Ashes (1986)"" |
""The Kiss of the Maricon, or Gay Imagery in Latin American Cinema (1986-87)""""Laws of Desire: Maurice, Law of Desire, and Vera (1987)""; ""Two Great Gay Filmmakers: Hello and Good-bye (1988)""; ""Beauty and the Beast, Take Two (1988)""; ""Whipping Up a Cinema (1989)""; ""Erotic Self-Images in the Gay Male AIDS Melodrama (1988, 1992)""; ""In Memoriam: Vito Russo, 1946-1990 (1991)""; ""We're Talking, Vulva, or, My Body Is Not a Metaphor (1995, 1999)""; ""Walking on Tippy Toes: Lesbian and Gay Liberation Documentary of the Post-Stonewall Period 1969-1984 (1995-97)"" |
""Archeology and Censorship (1997)""""Selected Additional Works""; ""Index"" |
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Sommario/riassunto |
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For more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine—a collection of Waugh’s reviews and articles originally published in gay community tabloids, academic journals, and anthologies—charts the emergence and maturation of Waugh’s critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking.In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky’s and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence. |
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