| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910495934903321 |
|
|
Autore |
Albert Sophie |
|
|
Titolo |
Les Géants entre mythe et littérature / / Marianne Closson, Myriam White-Le Goff |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Arras, : Artois Presses Université, 2020 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (228 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Altri autori (Persone) |
|
AnselminiJulie |
BalutetNicolas |
BessonAnne |
CéardJean |
Cerf-MichautCecile |
ClossonMarianne |
DangyIsabelle |
GraveJaël |
MorelAnne-Sophie |
MullierSébastien |
NédelecClaudine |
Pouey-MounouAnne-Pascale |
RollierCatherine |
Roussel-GilletIsabelle |
SzerwiniackOlivier |
TarrêteAlexandre |
ThirardMarie-Agnès |
VercruysseJean-Marc |
White-Le GoffMyriam |
White-Le GoffMyriam |
|
|
|
|
|
|
|
|
Soggetti |
|
Literature (General) |
littérature |
thème |
actes de congrés |
motif |
géant |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
|
|
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
On pensait avoir tout dit sur le géant, figure figée dans un double stéréotype de violence archaïque ou de bonté débordante, et n'ayant plus guère sa place dans la littérature, si ce n'est dans celle destinée aux enfants. Or ce colloque a permis de découvrir que le géant, présent dans presque tous les récits d'origine où il est tantôt grand ancêtre protecteur, tantôt monstre sauvage tout droit sorti du chaos, continuait à hanter les oeuvres les plus contemporaines. Les articles qui constituent ce volume explorent, à travers les siècles et les oeuvres littéraires, les nombreux enjeux esthétiques, scientifiques ou philosophique de la figure gigantale et nous invitent à découvrir l'étonnante richesse et complexité de ce " personnage-métaphore". La rencontre des spécialistes de domaines et d'époques très différents a ainsi mis en lumière combien le géant est profondément inscrit, non seulement dans l'imaginaire de l'Occident, mais encore dans sa conscience littéraire et artistique. |
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910788941503321 |
|
|
Autore |
Goethem Herman van <1958-> |
|
|
Titolo |
Belgium and the monarchy : from national independence to national disintegration / / Herman Van Goethem ; cover photo, Brussels, Royal Archives ; Reiner Van Hove, photographer ; Jules Van Paesschen, photographer |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Brussels, Belgium : , : University Press Antwerp, , 2010 |
|
©2010 |
|
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (295 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
BrusselsRoyal Archives |
HoveReiner Van |
PaesschenJules van |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Monarchy - Belgium - History |
Federal government - Belgium |
Belgium Politics and government 1830-1914 |
Belgium Politics and government 1914- |
Belgium History 1830-1914 |
Belgium History 1914- |
Belgium Kings and rulers |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references. |
|
|
|
|
|
|
Nota di contenuto |
|
""Front ""; ""Table of Contents""; ""Introduction""; ""Leopold I""; ""Leopold II""; ""The first cracks in the faÃade of national unity""; ""Albert I (until 1918) ""; ""Albert I (1918-1934) ""; ""Leopold III""; ""Prince Charles""; ""King Boudewijn""; ""Albert II""; ""Conclusion and diagnosis""; ""Endnotes""; ""Bibliography"" |
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910797374303321 |
|
|
Titolo |
Thresholds of listening : sound, technics, space / / edited by Sander van Maas |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, [New York] : , : Fordham University Press, , 2015 |
|
©2015 |
|
|
|
|
|
|
|
|
|
ISBN |
|
0-8232-6678-8 |
0-8232-6441-6 |
0-8232-6440-8 |
|
|
|
|
|
|
|
|
Edizione |
[First edition.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (324 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Auditory Re-Turn (The Point of Listening) -- 2. “Dear Listener . . .”: Music and the Invention of Subjectivity -- 3. Scenes of Devastation: Interpellation, Finite and Infinite -- 4. Positive Feedback: Listening behind Hearing -- 5. “Antennas Have Long Since Invaded Our Brains” -- 6. Movement at the Boundaries of Listening, Composition, and Performance -- 7. The Biopolitics of Noise: Kafka’s “Der Bau” -- 8. Torture as an Instrument of Music -- 9. Stop It, I Like It! -- 10. Sounds |
|
|
|
|
|
|
|
|
|
|
|
of Belonging -- 11. Back to the Beat -- 12. The Discovery of Slowness in Music -- 13. Negotiating Ecstasy -- NOTES -- CONTRIBUTORS -- INDEX |
|
|
|
|
|
|
Sommario/riassunto |
|
Thresholds of Listening addresses recent and historical changes in the ways listening has been conceived. Listening, having been emancipated from the passive, subjected position of reception, has come to be asserted as an active force in culture and in collective and individual politics. The contributors to this volume show that the exteriorization of listening— brought into relief by recent historical studies of technologies of listening—involves a re-negotiation of the theoretical and pragmatic distinctions that underpin the notion of listening. Focusing on the manifold borderlines between listening and its erstwhile others, such as speaking, reading, touching, seeing, or hearing, the book maps new frontiers in the history of aurality. They suggest that listening’s finitude— defined in some of the essays as its death or deadliness—should be considered as a heuristic instrument rather than as a mere descriptor. Listening emerges where it appears to end or to run up against thresholds and limits—or when it takes unexpected turns. Listening’s recent emergence on the cultural and theoretical scene may therefore be productively read against contemporary recurrences of the motifs of elusiveness, finitude, and resistance to open up new politics, discourses, and technologies of aurality. |
|
|
|
|
|
|
|
| |